Glass Elevator

A former editor with two decades at Upstart Crow Literary, Danielle Chiotti hunts for emotionally resonant YA and middle grade fiction, award-caliber literary and upmarket adult fiction, and voice-driven nonfiction — with a client list that punches well above its weight in prizes.

Synthesized from 4 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Her deal record tells a story her wishlist undersells: she has landed National Book Award finalists, Kirkus Prize winners, Story Prize and PEN/Faulkner winners, and Lambda Award honorees — this is a boutique list with genuine awards muscle, not just commercial positioning.

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Despite describing herself as a broad YA/MG generalist, her confirmed recent sales skew toward middle grade fiction (Nicole D. Collier's Clarion series, Matt Myklusch's Aladdin series, the HarperAlley graphic novel) — MG writers may find her especially receptive.

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Her heaviest publisher relationships are with Greenwillow/HarperCollins, Clarion/HMH, Aladdin/Simon & Schuster, and Mariner/HMH — imprints with strong track records for literary children's and adult fiction.

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Deesha Philyaw and Brian Broome are standout client wins: both debut authors whose books became major literary events, signaling she takes on first-time writers and develops them to prize-winning level.

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Her submissions form was confirmed closed as of early June 2026 — verify the live form before querying, as her status can change without notice.

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Lately

most recent public notes

Her agency page was updated to reflect twenty-plus years in publishing and now foregrounds her accolades-heavy client list — including National Book Award finalists, Kirkus Prize winners, and NYT Editor's Picks — signaling a shift toward positioning herself as a literary prestige agent rather than primarily a commercial children's specialist.

January 2023 · 3y ago
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What Danielle is looking for

organized from the wishlist, interviews, and listings
Young Adult FictionActively seeking

She wants fresh YA across all genres — the throughline is gorgeous prose and characters who are genuinely flawed, not just troubled. The ideal pitch has a voice so propulsive she can't put it down. Literary YA in verse, contemporary, and emotionally layered coming-of-age all fall squarely in her wheelhouse.

CompsA Heart in a Body in the World by Deb CalettiThe Poet X by Elizabeth AcevedoBrown Girl Dreaming by Jacqueline WoodsonStill Life With Tornado by A.S. KingThe Walls Around Us by Nova Ren SumaWhen You Reach Me by Rebecca SteadChime by Franny BillingsleySwing by Kwame Alexander
Middle Grade FictionActively seeking

Her confirmed sales in MG are some of her most active — a multi-book Clarion series, an ongoing Aladdin adventure franchise, and a graphic novel with HarperAlley. She gravitates toward MG that challenges young readers, balances warmth with real stakes, and delivers a distinctive voice. Her sales suggest she's comfortable with both literary MG and commercial adventure.

CompsPie in the Sky by Remy LaiThe Evolution of Calpurnia Tate by Jacqueline KellyThe Truth as Told by Mason Buttle by Leslie ConnorThe Best Friend Bracelet by Nicole D. CollierThe Imagine Nation Adventures by Matt MykluschThe Kinda Sorta Normal Life of Joshua Jones by E.A. Carrington
Upmarket and Literary Adult FictionActively seeking

She seeks adult fiction that uses unconventional structure or setting to excavate emotional truth — particularly stories about family, identity, and the interior lives of characters under pressure. She prefers work that crosses the commercial/literary divide: books that are emotionally accessible but formally or thematically ambitious.

CompsA Tale for the Time Being by Ruth OzekiThe Goldfinch by Donna TarttThe House of Broken Angels by Luis Alberto UrreaDept. of Speculation by Jenny OffillKitchens of the Great Midwest by J. Ryan StradalStation Eleven by Emily St. John MandelThe Secret Lives of Church Ladies by Deesha Philyaw
Narrative Nonfiction and MemoirActively seeking

She wants memoir and narrative nonfiction with a strong authorial voice — work that illuminates something previously overlooked or reframes the familiar. Her recent client wins include a Kirkus Prize–winning memoir and a Lambda-honored autobiography, suggesting she has real appetite and connections for personal nonfiction that speaks to identity, culture, and the body.

CompsPunch Me Up to the Gods by Brian BroomeHeavy by Kiese LaymonI Am I Am I Am by Maggie O'FarrellLate Migrations by Margaret RenklH is for Hawk by Helen MacDonaldHealing Honestly by Alisa Zipursky
Food, Cooking, and Lifestyle NonfictionOpen to

She has a genuine personal passion for food culture and has sold cookbooks and food-adjacent narrative nonfiction. She's looking for voice-driven projects that bring humor or a fresh angle to food, wine, cooking, or healthy living — not just recipe collections, but books that have something to say.

CompsCool Beans by Joe YonanDrinking French by David LebovitzQuit Like a Woman by Holly WhitakerThe Instant Pot No Pressure Cookbook by Laurel Randolph
Culture, Humor, and Current Events NonfictionOpen to

She welcomes nonfiction that takes a pointed or comedic lens to social and cultural dynamics — including commentary on race, health, identity, and current events — provided it has a strong, specific point of view and a compelling author platform.

CompsYou Just Need to Lose Weight by Aubrey GordonYou Can Keep That to Yourself by Adam Smyer
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Not the right fit

save yourself the rejection
Adult romance
Mystery, suspense, or thriller (adult)
Political thriller
Adult science fiction
Adult horror
Erotica
Picture books (from writers only — she is not listed as seeking picture book manuscripts without illustration)
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Taste fingerprint

the threads that run through Danielle's taste
voice-driven proseemotionally complex charactersliterary middle gradeaward-friendly literary fictionidentity and culture nonfictiondebut-friendlyfood and lifestyle nonfictionverse and experimental YAfamily dynamicsprestige imprint relationships
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How to query Danielle

7 ways in By email
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Her submission form was closed as of June 2026 — check her agency's submissions page before sending anything; opening windows can appear without broad announcement.

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When the form reopens, send your query letter and the first 20 pages of your manuscript pasted directly into the body of the email — no attachments.

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Her editorial background means she values craft above concept: lead your query with voice and character, not just plot premise. A flat synopsis won't move her.

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She has a proven track record with debut authors — don't undersell yourself as a first-time writer; she explicitly welcomes new voices.

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If you're querying adult fiction, make sure your book sits clearly in the upmarket or literary lane. She has drawn a firm line against genre adult fiction (thriller, sci-fi, romance, horror) — don't pitch across that line hoping she'll make an exception.

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For nonfiction, a strong platform or a credible angle on an underexplored subject matters — but voice is still the lead. Study how her sold nonfiction titles marry a distinctive narrator with a specific cultural or personal lens.

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Middle grade writers stand on particularly solid ground: her confirmed recent deal volume in MG is among the highest on her list, and she has placed MG with multiple imprints across multiple formats including graphic novels.

See how to email your query
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Frequently asked

what writers ask about Danielle
Is Danielle Chiotti currently open to queries?
No — her submissions form was directly observed as closed on June 4, 2026. This is the most authoritative signal available. Check her agency's submissions page before querying, as she may reopen without a public announcement.
What agency does Danielle Chiotti work at?
She is an agent at Upstart Crow Literary, which she has been with since the agency's founding in 2009. The agency is based in Los Angeles.
What does Danielle Chiotti represent?
Her core categories are young adult fiction, middle grade fiction, upmarket and literary adult fiction, and select nonfiction — including memoir, narrative nonfiction, and food/lifestyle titles.
What does Danielle Chiotti NOT want?
She explicitly rules out adult romance, mystery/suspense/thriller, political thriller, science fiction, horror, and erotica. She does not appear to be seeking picture books from writers only (without illustration).
How do I submit a query to Danielle Chiotti?
When open, she accepts email queries with your query letter and the first 20 pages of your manuscript pasted into the body of the email (no attachments). Full submission guidelines are on her agency's website.
What kinds of books has Danielle Chiotti sold?
Her sales span award-winning short fiction collections, Kirkus Prize–winning memoir, NYT bestselling children's series, middle grade adventure series, graphic novels, self-help/memoir, and food nonfiction. Her heaviest publisher relationships are with HarperCollins/Greenwillow, Clarion/HMH, Aladdin/Simon & Schuster, Mariner/HMH, and Akashic Books.
Does Danielle Chiotti work with debut authors?
Yes — she explicitly welcomes first-time authors with a distinctive voice. Several of her highest-profile clients, including a National Book Award finalist and a Kirkus Prize winner, were debut authors when she signed them.
What awards have Danielle Chiotti's clients won?
Her clients have received recognition from the National Book Award, the Kirkus Prize, the Story Prize, the PEN/Faulkner Award, the Lambda Literary Awards, the Schneider Family Book Award, the Christopher Award, the Stonewall Book Award, the James Beard Foundation, and the Guggenheim Foundation, among others.
Does Danielle Chiotti represent cookbooks?
Yes, she has sold cookbooks and food-adjacent nonfiction, though this is listed as a selective rather than primary focus. She looks for voice and a fresh angle, not just recipes.
Is Danielle Chiotti a good fit for literary YA in verse?
Almost certainly — her cited touchstone titles include Brown Girl Dreaming and The Poet X, both celebrated verse novels, and Swing by Kwame Alexander. Verse YA with a strong emotional arc aligns directly with her stated preferences.