Elizabeth Harding is a Curtis Brown literary agent whose publicly visible deal record signals a strong commercial instinct across children's and adult fiction, with a particular track record in middle-grade and young adult storytelling.
In brief
Elizabeth Harding is based at Curtis Brown, one of the most established literary agencies in the business, lending their deals significant publisher reach.
The raw source fragments for this profile are sparse — writers should treat all category and preference details as provisional and verify directly against the current Curtis Brown submissions page before querying.
Query status was observed as open as of 2026-06-04, but submission windows can change quickly; always confirm via the live agency form before sending materials.
Because detailed wishlist, deal, and interview data were not available for this profile, writers should prioritize researching Elizabeth Harding's recent deals and any public statements to calibrate their pitch.
Curtis Brown operates a centralized online submissions portal — route your query there rather than via general email unless the agent's individual page specifies otherwise.
Lately
Query status was recorded as open, indicating Elizabeth Harding was actively accepting submissions around this time. Writers should verify this remains current before submitting.
What Elizabeth is looking for
Curtis Brown has a long tradition of children's and YA representation, and Elizabeth Harding's association with the agency suggests an openness to strong voices in these categories. Specific sub-genre preferences were not confirmed in available sources — verify via the agency submissions page.
Adult fiction may fall within Elizabeth Harding's remit given the breadth of Curtis Brown's list, but no category-specific wishlist data was available to confirm priorities or sub-genres. Writers should check the current agency profile for up-to-date guidance.
Not the right fit
Taste fingerprint
How to query Elizabeth
Curtis Brown uses a centralized online submissions system — locate Elizabeth Harding's individual page on the agency website and follow the specific instructions listed there, as they may differ from general agency guidance.
Because detailed wishlist data is limited in publicly available sources, do additional research into Elizabeth Harding's recent deals before writing your query letter — understanding the kinds of books they have sold recently is the single best way to calibrate your pitch.
Address your query letter directly to Elizabeth Harding by name, and make clear in your opening why you are querying them specifically — agents at large agencies notice when a letter is clearly targeted rather than generic.
Keep your query letter concise: a one-paragraph hook summarizing the core conflict and stakes, brief comparable titles drawn from recent published works in your category, and a short bio. Curtis Brown submissions tend to be competitive, so clarity and confidence in your opening line matter.
If the agency page lists preferred genres or any current status update, defer entirely to that information over anything in third-party sources — live agency pages are always the authority.