Glass Elevator

Erin Murphy is a veteran children's book specialist — founder of a celebrated boutique agency now under the Aevitas umbrella — who is actively rebalancing her picture-book-heavy list toward middle-grade and YA fiction, with a particular hunger for fantasy, literary mystery, and underdog-driven stories centering queer and BIPOC voices.

Synthesized from 2 independent signals · last reviewed June 2026
01

In brief

the 30-second read
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Murphy spent 25+ years leading her own children's literary agency before merging it into Aevitas in 2025 — she brings rare institutional depth and long-term career strategy to her client relationships.

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Her award record is extraordinary: Caldecott Honor, Newbery Honor, Sibert Medal, Stonewall Medals, Edgar Awards, National Jewish Book Award finalist, and more — this is one of the most decorated children's book lists in the business.

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Her client roster skews heavily toward picture books and early middle-grade, but her stated current priorities are explicitly tilted toward MG and YA fiction — a deliberate list pivot that creates a real opening for novelists right now.

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She represents several long-term repeat clients (including Ammi-Joan Paquette, Audrey Vernick, Deborah Underwood, and Dashka Slater), signaling that she invests in careers over the long arc, not just individual books.

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Her submission form was observed closed as of February 2025 — writers must verify the live form status before querying, and submissions go only through her designated online query system.

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Lately

most recent public notes

After more than 25 years at the helm of her own boutique children's agency, Murphy merged her operation into Aevitas Creative Management in 2025, marking a significant career transition while keeping her client relationships and list focus intact.

January 2025 · 1y ago
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What Erin is looking for

organized from the wishlist, interviews, and listings
Middle-Grade FictionActively seeking

This is her stated primary growth area. She wants cozy, emotionally resonant fantasy and literary-leaning mysteries with genuine depth — multi-layered plots that reward careful readers. Thematic throughlines she gravitates toward: unlikely underdog alliances, close siblings, fierce friendships, found families, and queer and BIPOC community and joy. Strong, precise prose is non-negotiable for her.

Young Adult FictionActively seeking

Seeking sweeping fantasy set in fully realized, internally consistent worlds — especially those drawing on non-European cultural traditions. Also actively interested in YA thrillers with sharp, irresistible hooks. Queer and BIPOC narratives are especially welcome across both subgenres.

Narrative Nonfiction (MG & YA)Open to

Open to nonfiction that is propulsive, well-researched, and reads with the momentum of fiction. Fits her existing track record in award-winning nonfiction for young readers. Not a top priority, but a genuine yes if the voice and research are both exceptional.

CompsMarch 1965: The Month Lyndon Baines Johnson Did Practically Everything by Cynthia LevinsonWorthy: The Brave and Capable Life of Joseph Pierce by Andrea Wang
Picture Books (Author-Illustrators Only)Selective

She is not seeking picture book writers alone — that part of her list is full. However, she will consider select author-illustrators whose visual voice is unmistakably distinct and whose writing is as accomplished as their art. Both halves must be strong; one carrying the other is not enough.

CompsCat Nap by Brian LiesBigfoot and Dodo: Together at Last by Audrey VernickBun and Digger by Jean Reidy
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Not the right fit

save yourself the rejection
Picture book manuscripts from writers who do not also illustrate
Adult fiction or nonfiction
Middle-grade or YA work that does not reflect her prose standards — every word must earn its place
Fantasy that relies on familiar European-derived worldbuilding without a fresh angle
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On Erin's list

authors and titles represented
AP
Ammi-Joan PaquetteLong-term repeat client; children's author and agent herself
AW
Andrea WangWorthy: The Brave and Capable Life of Joseph PierceRecent nonfiction; signals ongoing interest in narrative NF for young readers
AV
Audrey VernickBigfoot and Dodo: Together at LastRepeat client; also Be Yourself (Unless)
BO
Barbara O'ConnorDreamForthcoming; O'Connor is a longtime MG fiction client
BL
Brian LiesCat NapPicture book author-illustrator
CL
Cynthia LevinsonMarch 1965: The Month Lyndon Baines Johnson Did Practically EverythingAward-winning narrative nonfiction
DS
Dashka SlaterDeep Blue: Swimming in the Big Blue SeaRepeat client; also Good Night, Escargot and On the Go with Escargot series — evidence of strong picture book series relationships
DQ
Dawn QuigleyThe Super-Scary Sleepover (Jo Jo Makoons)BIPOC voices in early chapter book/MG
DU
Deborah UnderwoodThe Fairy Tale Fixers: CinderellaRepeat client; also Extraordinary Owl and Book People — prolific, multi-series picture book author
EC
e.E. Charlton-TrujilloLupe Lopez: Rock Star Rivals!Queer and Latinx voices in MG; aligns with stated priority
EM
Ebony Lynn MuddAll the Roads I RanDebut client; signals openness to new voices
JF
Janet FoxThe Real RosalindMG fiction
JR
Jean ReidyBun and DiggerRepeat client; also Bob is the Biggest, Strongest, and Smartest — picture book author
KY
Kao Kalia YangA Knife to the ThroatAlso Even the Stars Are Happy Tonight and The Blue House I Loved — Hmong-American author, aligns with BIPOC community storytelling priority
AW
Allen R. WellsTo Be Real: How House Ballroom Gave Queer Kids Homes and Sparked a MovementQueer narrative nonfiction; strong alignment with stated priorities
GG
JB
Julie BlivenPeriwinkle to PortlandClient
KH
Kersten HamiltonLilibet Makes a FriendClient
KA
Kevan AtteberryPicture book author-illustrator client
LR
LM
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Taste fingerprint

the threads that run through Erin's taste
queer joyBIPOC voicesfound familycozy MG fantasyYA worldbuildingnon-European fantasyliterary mysterynarrative nonfictionauthor-illustratorscareer-focused partnership
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How to query Erin

8 ways in Through an online form
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She queries exclusively through one designated online query system — her Aevitas page specifies which one. Do not email the agency directly.

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Her form was closed as of February 2025. Check the live form before preparing your submission; opening dates are not pre-announced.

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Her prose bar is high and explicit: she wants writing where every word carries weight and the world pulls the reader in effortlessly. Open with your strongest pages, not your pitch.

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If querying MG or YA, name the thematic throughline in your pitch — underdog alliance, found family, sibling bond, queer or BIPOC joy — because these are exactly what she says she's hunting for.

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For MG fantasy, lean into the cozy and emotionally resonant angle; for YA fantasy, emphasize world-originality and cultural grounding, especially if drawing on non-European traditions.

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Author-illustrators querying picture books should make both halves of their work unmistakably clear — attach or link portfolio, and do not let your visual credits substitute for strong writing.

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Do not query adult projects. Her entire focus is children's and YA.

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Mentioning your marginalized identity or community is explicitly welcomed by her — she notes she looks especially for authors from underrepresented communities, so this context belongs in your query letter.

Open the submission form
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Frequently asked

what writers ask about Erin
Is Erin Murphy open to queries?
Her submission form was directly observed as closed on February 24, 2025. That is the most recent confirmed status. You must check her Aevitas page for the current live form status before attempting to submit — do not rely on any cached or third-party status indicator.
What agency is Erin Murphy with?
She is a Partner at Aevitas Creative Management, following the 2025 merger of her own Erin Murphy Literary Agency — which she founded and ran for over 25 years — into Aevitas.
Does Erin Murphy represent picture books?
Only from author-illustrators. She is not seeking manuscripts from picture book writers who do not also illustrate. If you both write and illustrate, she will consider you if your visual voice is distinctive and your writing is equally strong.
What does Erin Murphy most want right now?
Her top priorities are MG fiction (cozy fantasy and layered literary mysteries) and YA fiction (sweeping fantasy rooted in non-European cultures, and thrillers with strong hooks). She is explicitly rebalancing away from picture books toward novel-length work.
Does Erin Murphy represent adult books?
No. Her entire focus is children's and young adult publishing. Adult projects are outside her scope, though her pre-agenting editorial career included adult nonfiction.
What awards have Erin Murphy's clients won?
Her clients have earned a Caldecott Honor, Newbery Honor, Sibert Medal and Honor, Stonewall Medals, APALA silver and gold, American Indian Youth Literature Honors, a National Jewish Book Award finalist, a Schneider Award, and multiple Edgar, Sydney Taylor, Boston Globe-Horn Book, Américas, Golden Kite, Jane Addams, Margaret Wise Brown, and Orbis Pictus awards or honors — making hers one of the most decorated children's book lists working today.
How do I submit to Erin Murphy?
Exclusively through her designated online query system, which is linked from her Aevitas agency page. She does not accept email queries. Confirm the form is open before submitting.
Does Erin Murphy want queer or BIPOC stories?
Yes, prominently. Across MG, YA, and nonfiction, she explicitly names queer and BIPOC community and joy as priority themes. She also states she looks especially for authors from marginalized communities, so writers from those communities should feel encouraged to include that context in their query.
What does Erin Murphy NOT represent?
Adult fiction or nonfiction, picture book manuscripts from writers who are not also illustrators, and work that does not meet her high prose standard. She also does not want fantasy that simply replicates familiar European-derived genre conventions.
Does Erin Murphy take on debut authors?
Yes — her roster includes debut clients, and her focus on long-term career strategy suggests she is willing to invest in writers from the beginning. That said, her prose expectations are high regardless of experience level.