Glass Elevator

Eve Adler is a Red Fox Literary agent with 16+ years of in-house editorial experience at major houses, now building a focused children's list from board books through middle grade — with a particular warmth for author-illustrators and stories that meet kids exactly where they are.

Synthesized from 3 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Adler brings unusually deep editorial credibility to agenting: 16+ years at Macmillan, Penguin Random House, and Union Square Kids, with a track record that includes a New York Times bestseller, an Amazon Best Book of the Year, a Sydney Taylor Notable Picture Book, and multiple starred-review titles — before she made the jump to representation.

02

Her current agency page has expanded her stated wishlist beyond what older profiles show: she now explicitly includes graphic novels and middle grade alongside board books, picture books, and chapter books. Writers who only consulted older sources may be undershooting what she wants.

03

She has a strong affinity for author-illustrators and actively welcomes them; writers-only submissions are accepted but the author-illustrator pairing is a clear priority signal.

04

Red Fox Literary is not accepting open submissions as of June 2024 — the agency accepts queries only during periodic submission windows announced via social media. Writers should monitor those channels rather than querying cold.

05

Her editorial background in series, formats, and publishing programs (board book series, early readers, chapter book series) suggests she is well-suited to clients with franchise or series ambitions, not just standalone picture books.

02

Lately

most recent public notes

Adler's current agency biography has been updated to include graphic novels and middle grade as active interests — categories absent from earlier wishlist profiles — signaling a deliberate expansion of her list into longer-form and visual-sequential children's work.

January 2024 · 2y ago
03

What Eve is looking for

organized from the wishlist, interviews, and listings
Board BooksActively seeking

Adler has hands-on editorial history with board book series and is actively building in this space. She wants concepts that are developmentally precise for the youngest readers and that deliver genuine emotional warmth or discovery — not just abridged picture books. Author-illustrators are especially encouraged.

CompsHello, World series (Ashley Evanson)
Picture BooksActively seeking

Her core category and the one with the deepest track record. She is drawn to stories that give children a sense of being seen and understood, voices that reflect genuine diversity, and concepts that break from formula. Projects with emotional resonance and a clear developmental hook are her sweet spot. Author-illustrators are a priority, though author-only submissions are welcomed.

CompsThe Ninth Night of Hanukkah (Erica S. Perl)
Early Readers & Chapter BooksOpen to

Adler has experience with early reader and chapter book formats, including series programming. She is interested in projects that honor the developmental leap these readers are making — stories that respect young readers' intelligence while remaining accessible and engaging.

CompsGirls Who Code: The Friendship Code (Stacia Deutsch)
Graphic Novels (Children's)Open to

Graphic novels are a newer, explicitly stated addition to her wishlist on her current agency page — a meaningful expansion from earlier profiles. She is building in this area, and author-illustrators or illustrator-writer teams working in this format for the 0–12 age range should take note.

Middle GradeOpen to

Also a newer addition to her current stated interests, extending her reach to age 12. Her editorial instincts around developmental appropriateness and emotional resonance apply here too. Given that she is still building this part of her list, exceptional projects with a strong voice and clear audience fit are most likely to stand out.

04

Not the right fit

save yourself the rejection
Young adult (YA)
Adult fiction or nonfiction
Projects outside the 0–12 age range
Submissions submitted outside an open window — the agency uses periodic submission opportunities, not rolling open queries
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On Eve's list

authors and titles represented
AE
Ashley EvansonHello, World board book seriesSeries; referenced as a title Adler worked on editorially prior to agenting — taste signal for board book series with educational/discovery bent.
EP
Erica S. PerlThe Ninth Night of HanukkahSydney Taylor Notable Picture Book; cited in Adler's own profile as a career highlight from her editorial tenure.
SD
Stacia DeutschGirls Who Code: The Friendship CodeNew York Times Bestseller; demonstrates Adler's range into licensed/branded chapter book series and her ability to place commercially high-profile projects.
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Taste fingerprint

the threads that run through Eve's taste
emotionally resonantdevelopmentally precisediverse voicesauthor-illustratorsboard bookspicture booksseries potentialkids feeling seenmiddle gradegraphic novels
07

How to query Eve

7 ways in Through an online form
1

Do not query cold — Red Fox Literary only accepts submissions during announced windows. Follow their official social media presence to catch the next open period before submitting anything.

2

Author-illustrators should make that dual role explicit and prominent in the first line of their query; Adler actively prioritizes this pairing.

3

Lead with the emotional core of your story — what will a child feel reading this, and why does that matter developmentally? Adler's stated criteria are all affect- and development-centered, so matching that language in your pitch is a strong signal of fit.

4

If you are submitting a graphic novel or middle grade project, note that these are newer additions to her list — frame your pitch to show clear genre/audience alignment, since she is still defining what she wants in these spaces.

5

Her editorial background means she responds to craft and intentionality. A query that demonstrates you understand your audience's developmental stage — not just the age range — will resonate more than one focused on plot summary alone.

6

Series potential or franchise thinking is worth flagging: her editorial history includes board book series and branded chapter book programs, suggesting she is comfortable with and attracted to scalable concepts.

7

Diverse voices are explicitly named as a priority. If your project reflects an underrepresented perspective, make sure that comes through clearly and authentically in the query.

Open the submission form
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Frequently asked

what writers ask about Eve
Is Eve Adler open to queries right now?
As of June 3, 2024, Red Fox Literary was not accepting submissions. The agency does not maintain a standing open-query policy; instead, it announces periodic submission windows on its social media channels. Writers should monitor those channels and submit only during an announced open window.
What agency does Eve Adler work for?
Eve Adler is an agent at Red Fox Literary, based in Shell Beach, California.
Does Eve Adler represent middle grade and graphic novels?
Yes — her current agency biography explicitly lists middle grade and graphic novels as categories she is building toward, alongside board books, picture books, and chapter books. These are newer additions not reflected in older wishlist profiles, so writers targeting those categories should consult her current agency page.
Does Eve Adler represent picture books from authors only, or only author-illustrators?
Both, but author-illustrators are a stated priority. Writers-only (author without illustration samples) are welcomed, but the dual author-illustrator pairing is something she actively emphasizes when describing who she wants to work with.
What does Eve Adler NOT want?
She is focused entirely on the 0–12 age range. Young adult, adult fiction, adult nonfiction, and any project outside children's publishing are outside her scope. She also does not accept unsolicited submissions outside the agency's announced windows.
What is Eve Adler's editorial background?
She spent over 16 years as an in-house editor working primarily on books for ages 0–12 at Macmillan, Penguin Random House, and Union Square Kids. Her editorial credits include a New York Times bestseller, an Amazon Best Book of the Year, a Sydney Taylor Notable Picture Book, a New York Book Show Merit Award winner, and numerous starred-review titles. In 2015 she was named a Publishers Weekly Star Watch Honoree.
What kinds of stories does Eve Adler respond to most strongly?
She is consistently drawn to stories that help children feel comforted, loved, and genuinely understood. She values diverse voices, ideas that break from predictable formulas, and projects that are calibrated to where children actually are developmentally — not just age-appropriate by label, but emotionally and conceptually attuned to their stage of growth.