Jemiscoe "Jem" Chambers-Black is a co-founder of Starling Literary + Media and a film-trained agent whose tastes run to emotionally gripping, cinematically paced fiction across age categories — with a particular hunger for psychological thrillers, social horror, romance of all temperatures, and stories that refuse to play it safe on identity and power.
In brief
Jem is a co-founder of Starling Literary + Media (est. 2025), which she built with colleagues from Andrea Brown Literary Agency — she brings both deep publishing experience and over a decade of film/TV production instincts to her editorial eye.
Her wishlist skews cinematic and emotionally high-stakes: she repeatedly invokes tension, pacing, and 'crackling off the page' — language that tracks directly back to her background as an Assistant Director.
Despite describing herself as a generalist, her current wishlist has narrowed considerably: she is explicitly NOT open to new middle grade or picture book queries (except author-illustrated graphic novels), making her effectively an adult/YA-first agent for prose submissions right now.
She represents illustrators as a standalone category — a meaningful differentiator — and graphic novel author-illustrators across all age groups, with a notable lean toward adult GNs in psychological horror and speculative territory.
Her stated taste in adult fiction is notably diverse in genre: thrillers, horror, romance (rom-com through romantasy through action-adventure), cozy mystery, upmarket book club fiction, and — importantly — she now also lists adult nonfiction categories (untold histories, big-idea science/culture, cookbooks), making her one of the more genuinely wide-ranging agents at her agency.
Lately
In her December 2025 wishlist update, Jem formally expanded her adult interests to include nonfiction — specifically reframed histories and big-idea science/culture books — and also added cookbooks as a category, signaling a meaningful broadening of her list beyond fiction.
What Jemiscoe is looking for
Jem wants psychological thrillers and social horror that do more than shock — they should expose something true and uncomfortable about the human condition. She's drawn to stories that play with truth, perception, and morally complex characters, and that map the full spectrum of evil. Tension should be relentless; the stakes should feel real. Films like Get Out and Sinners are named touchstones, which signals she wants work with cultural bite and cinematic grip.
She wants heart, humor, and heat across the full romance spectrum. For rom-com and contemporary, she's after emotional honesty paired with genuine charm — and a premise she hasn't encountered before. For paranormal romance and romantasy, she wants lush, fast-paced, and extremely cinematic work. For action-adventure romance, the key ingredients are danger meeting desire, scorching chemistry, and a cinematic quality throughout. Fresh angles are essential across all three lanes.
Jem is particularly drawn to stories that sit at the intersection of laughter, tears, and moral debate — the kind of book a book club would fight over. Themes she flags with genuine enthusiasm include family, aging, identity, love, and especially regret. The emotional register should be layered: funny and devastating in the same breath. She references the film My Old Ass as a tonal touchstone, signaling she wants something contemporary and emotionally raw.
She is open to mysteries that balance wit with warmth and feature strong narrative voice, clever plotting, and found-family dynamics. The humor should never undercut the heart. Her named touchstones point clearly toward voice-driven, character-forward cozies with a light comic touch.
Jem is interested in histories that have been hidden, suppressed, or distorted — revisionist work that interrogates race, gender, identity, and institutional power. The lens should make the past feel urgent and directly connected to the present, generating discomfort as much as revelation.
She's seeking smart, accessible nonfiction that crosses disciplinary lines — science, technology, culture — and asks genuinely provocative questions with real-world moral stakes. The work should be conversation-sparking and refuse easy answers.
Cookbooks are listed as an active category on her current agency page, though specific parameters were not detailed in available materials. Writers in this space should query with a strong concept and platform.
She wants YA romance that sparkles with humor and explores identity and belonging — but with a twist. She is specifically looking for work that incorporates speculative or light fantastical elements that heighten the emotional stakes and urgency, not purely contemporary romance.
Fast-paced, voicey, and cinematic YA thrillers or horror that examine power, fear, and social tension through a teen perspective. The cinematic quality and propulsive pacing she values in adult thrillers applies equally here.
Jem is open to graphic novel submissions exclusively from author-illustrators — she does not represent graphic novel scripts without art. She is especially interested in adult GNs. Preferred subject matter includes contemporary or speculative stories, psychological horror or thrillers, and character-driven fiction where the art itself — color, linework, movement — carries emotional and thematic weight. Art must be striking and dynamic.
She actively represents illustrators who want to work across any age category, making Starling Literary + Media a genuine destination for visual artists seeking representation independent of a writing project.
Not the right fit
On Jemiscoe's list
Taste fingerprint
How to query Jemiscoe
Do not query by email — Jem's agency page states explicitly that email queries are deleted without a response. The online submission form is the only accepted path.
Your query letter should introduce yourself, describe the work, note any prior publishing credits, and include your submission history with other publishers.
For prose fiction (adult, YA, chapter books), paste your first 10 pages directly into the form's text box — do not attach a document.
For graphic novels by author-illustrators, attach 10–20 sample page spreads as JPG or PDF, paste your synopsis into the form, and include a link to your online portfolio.
Lead with what makes your story cinematically urgent — Jem's film/TV background means pacing, tension, and character-driven stakes are the fastest way onto her radar.
If you're writing a thriller or horror, make clear early in your query what social or psychological truth your story is interrogating — she's not looking for shock value alone.
For romance, specify clearly which lane you're in (rom-com, romantasy, action-adventure romance) and name what makes your premise fresh — she explicitly says she wants something she hasn't seen explored before.
For upmarket fiction, lean into the emotional stakes and thematic texture — regret, identity, moral complexity — rather than plot mechanics.
Illustrators should use the dedicated illustrators submission pathway noted on her agency page, distinct from prose/GN queries.
Confirm the form is currently open before submitting — status was unverified as of late May 2026.