Glass Elevator

Jess Taylor is a Martin Literary Management agent building a YA-first list with a soft spot for witchy romance, paranormal elements, and stories powered by unforgettable female protagonists.

Synthesized from 2 independent signals · last reviewed June 2026
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In brief

the 30-second read
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YA is Jess Taylor's core focus and clear competitive strength — it is the category they have spent over two decades reading, two years freelance editing, and built an entire independent bookstore around. Every other category they represent orbits YA.

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Their taste skews commercial and emotionally driven: fast plots, vivid characters, ensemble casts, and tropes like enemies-to-lovers and slow burn. Literary experimentation is welcome only when it rides alongside a clear story arc.

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Romance is intentionally narrow: witchy and cozy fantasy romance only, with paranormal elements as a permissible substitute for witches. Adult fiction outside that lane is a firm no.

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Hard stops that are unusual and worth knowing: they will not take on books where the protagonist dies (including sacrificial arcs) or where any animal dies — these are emotional dealbreakers, not soft preferences.

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New Adult is genuinely open but specifically scoped: coming-of-age romance with characters under twenty-five, with YA–NA crossovers particularly welcome.

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Lately

most recent public notes

Jess describes their YA expertise as spanning more than two decades of reading and two years of freelance editing in the genre, citing both established icons and current rising voices as benchmarks for what they seek — signaling active, current engagement with the market rather than passive familiarity.

April 2026 · 3mo ago
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What Jess is looking for

organized from the wishlist, interviews, and listings
Young Adult — All Subgenres (except tech-heavy sci-fi)Actively seeking

YA is Jess Taylor's primary and most deeply resourced category. They welcome every subgenre — contemporary, fantasy, historical, romantasy, thriller, mystery, magical realism, dystopia, fairytale retellings, mythology, literary, upmarket, and more — with one hard exclusion: tech-heavy science fiction. They actively champion diverse characters and settings, LGBTQ+ stories, and strong female protagonists (though diverse perspectives broadly are equally welcome). Retellings of myths, fairy tales, or classic stories are specifically called out as favorites. Paranormal romance within YA is a particular draw, and mermaid stories earn bonus enthusiasm. Protagonists must be 15 or older. Previously self-published YA titles are considered case by case. Manuscripts must come in under 150,000 words.

New Adult RomanceOpen to

Jess's New Adult appetite is deliberately focused: coming-of-age romance featuring characters under twenty-five. Books that sit at the crossover between YA and NA — in voice, protagonist age, or thematic concerns — are especially welcome. This is not a broad NA mandate; it is specifically romantic and age-appropriate to the category.

Romance — Witchy & Cozy Fantasy (Adult, selective)Selective

This is the only adult fiction lane Jess keeps open, and it is narrow. Witchy romance and cozy fantasy romance are the target, with any spice level accepted (spicier preferred). If a manuscript lacks witches but carries other paranormal elements, that substitution is explicitly welcome. The three named touchstones define the aesthetic tightly. Any adult romance that falls outside paranormal or cozy-fantasy territory is not accepted.

CompsThe Kiss CurseLove's a WitchThe Nightmare Before Kissmas
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Not the right fit

save yourself the rejection
Adult fiction in any genre except the witchy/cozy paranormal romance subgenres listed above
Nonfiction of any kind
Middle Grade
Faith-based stories
Tech-heavy science fiction (YA or otherwise)
Gory horror or paranormal horror
Thrillers with heavy nightmare-inducing content (light thriller elements in YA are acceptable)
Stories that demean women
Any book in which the main protagonist dies — including illness narratives and sacrificial endings
Any book in which an animal dies
Manuscripts over 150,000 words
YA with a protagonist younger than 15
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On Jess's list

authors and titles represented
LN
Laura Taylor NameyNamed as a current rising-star client benchmark on agency page; taste signal for contemporary YA with cultural specificity.
RD
Rebecca DanzenbakerNamed alongside established YA voices on agency page; current client taste signal.
KW
K.L. WaltherNamed as a favorite author and rising-star benchmark; strong indication of contemporary YA romance taste.
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Taste fingerprint

the threads that run through Jess's taste
YA-firstwitchy romanceparanormal romancemermaidsfairytale retellingsstrong female protagonistsLGBTQ+ YAcozy fantasycoming-of-agefast-paced commercial
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How to query Jess

10 ways in Through an online submission form
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Include a synopsis and your first three chapters — both are required, so submit neither alone.

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Lead your query letter with your protagonist's age: Jess explicitly requires protagonists to be 15 or older and will not take on manuscripts where the protagonist dies. Addressing these points early shows you have done your homework.

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If your YA or NA manuscript features mermaids, witches, paranormal romance, or is a holiday fantasy, name that clearly in your opening paragraph — these are the categories where Jess's enthusiasm is highest.

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For the witchy/cozy romance lane, anchor your pitch to one or more of the three named touchstone titles (The Kiss Curse, Love's a Witch, The Nightmare Before Kissmas) to immediately signal genre fit.

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Jess prizes fast pacing and vivid characters above all. In your query, demonstrate momentum: show what drives your protagonist forward and what is at stake, rather than dwelling on world-building details.

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If your book is a retelling — myth, fairy tale, or classic text — make the source material and your fresh angle explicit. Retellings are a named priority.

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LGBTQ+ stories are always welcome; state your rep if present.

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If your manuscript was previously self-published, note that briefly and honestly — Jess considers these case by case and excluding the information wastes both parties' time.

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Do not query with adult fiction (outside the narrow paranormal/cozy romance lane), nonfiction, Middle Grade, or any manuscript where the protagonist or an animal dies — these are firm, emotional dealbreakers, not soft preferences.

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Confirm the submission form is live before querying; status was unverified as of the most recent observation.

Open the submission form
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Frequently asked

what writers ask about Jess
Is Jess Taylor open to queries right now?
Query status was unverified as of April 2026. Check the live online submission form at Martin Literary Management before submitting — do not rely on any cached or third-party status listing.
What agency does Jess Taylor work for?
Jess Taylor is a Literary Manager at Martin Literary Management.
Does Jess Taylor represent adult fiction?
Only in one narrow lane: witchy romance and cozy fantasy romance. All other adult fiction is explicitly excluded. Nonfiction is also a firm no.
Does Jess Taylor represent Middle Grade?
No. Middle Grade is explicitly listed as a category they do not accept.
Can I query Jess Taylor with a book where the main character dies?
No. This is one of Jess's firmest stated dealbreakers, applying to any protagonist death — including illness narratives and sacrificial endings (they specifically cite the Divergent model). Do not query with this kind of ending.
Can I query Jess Taylor with a book where an animal dies?
No. Any animal death — dog, cat, horse, or otherwise — is a firm exclusion. This is stated as an emotional dealbreaker, not a preference.
Does Jess Taylor want sci-fi?
Only if it is YA and not tech-heavy. Technology-driven science fiction is explicitly excluded across the board.
What does Jess Taylor want most right now?
YA in almost any subgenre — especially paranormal romance, retellings, diverse voices, and LGBTQ+ stories — is their top priority. Mermaid stories and holiday fantasy earn specific enthusiasm. For adult romance, witchy and cozy fantasy romance in the vein of The Kiss Curse or Love's a Witch is a named desire.
Does Jess Taylor accept self-published manuscripts?
Yes, on a case-by-case basis. If your manuscript was previously self-published, disclose that in your query.
What should I include when querying Jess Taylor?
A query letter, a synopsis, and the first three chapters, all submitted through the online form on the Martin Literary Management website.
Does Jess Taylor represent New Adult?
Yes, but narrowly: New Adult romance with protagonists under twenty-five, centered on coming-of-age stories. YA–NA crossovers are particularly welcome.
What is Jess Taylor's background?
They hold a BFA in creative writing and a publishing certificate from the University of North Carolina Wilmington, spent six years acquiring across children's, YA, nonfiction, and fiction at a Virginia-based publisher, and ran an independent bookstore specializing in YA before joining Martin Literary Management.