Glass Elevator

Joanna Rasheed is an Ultra Literary agent hunting for original, magic-laced adult fiction and selective YA speculative work — with a strong pull toward dark tone, romance threads, and cozy vibes across all genres.

Synthesized from 1 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Her wishlist and taste signals are tightly aligned: she wants originality above all else — a fresh concept, an unexpected trope mashup, or a genuinely unusual POV will get her attention faster than polished execution of a familiar premise.

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Romance is not optional for her — she explicitly requires a romance thread running through the story, even in literary or upmarket work. Writers without one should not query.

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Her favorite media (Wednesday, Shadow & Bone, The Witcher, Six of Crows, Divine Rivals) cluster around dark, magic-rich worlds with sharp wit and romantic tension — that's the aesthetic sweet spot.

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She skews heavily adult: YA is explicitly described as a limited intake, and her adult wishlist is notably broader and more detailed.

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Hard word-count ceiling of 130,000 words — no exceptions mentioned. Manuscripts over that limit should not be submitted.

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Lately

most recent public notes

She posted a detailed wishlist update emphasizing that originality is her single most important criterion — she wants fresh ideas, novel trope combinations, or unexpected genre mashups rather than well-executed versions of familiar formulas.

January 2025 · 1y ago
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What Joanna is looking for

organized from the wishlist, interviews, and listings
Adult FantasyActively seeking

This is her primary lane. She welcomes the full spectrum — high fantasy, low fantasy, cozy fantasy, dark fantasy, and romantasy — with or without heavy worldbuilding. What matters is magical texture and originality. She's drawn to dark academic settings and analytical or intellectually-voiced protagonists. A romance thread woven through the narrative is essentially a requirement.

Cozy Fiction (any genre, including literary)Actively seeking

She singles this out as an especially active want right now — and crucially, she means cozy across all genres, not just cozy fantasy. A literary cozy, a cozy gothic, a cozy upmarket novel — all are welcome. She's also drawn to an encyclopedic or analytical narrative POV in this space.

CompsEncyclopaedia of Faeries by Theresa Tomlinson
Adult Upmarket & Commercial Women's FictionActively seeking

She lists upmarket and commercial women's fiction among her core interests and has bookclub and women's fiction on her favorites list. Stories with emotional depth, a distinct voice, and at least a thread of magic or the uncanny will resonate most.

CompsLittle Fires Everywhere by Celeste NgThe Rules of Magic by Alice Hoffman
Adult Gothic & Dark FictionActively seeking

Gothic is explicitly listed and her taste media (Wednesday, The Witcher, dark academia aesthetics) reinforce a genuine appetite for dark, atmospheric storytelling. Adult dark academia is something she specifically calls out as a gap she wants to fill — she'd love the adult version of a YA dark-academia hit.

CompsA Study in Drowning by Ava Reid
Adult Dystopian Sci-FiOpen to

Dystopian science fiction is on her list, with the caveat that military sci-fi and AI-centered plots are explicitly off the table. Stories focused on societal systems, survival, or speculative futures with strong character and romance threads are the right fit. Think The Hunger Games energy.

Adult Suspense (select)Selective

She includes suspense but qualifies it as selective. Given her broader taste, the suspense most likely to appeal would carry a gothic, magical-realist, or atmospheric edge rather than a purely procedural or thriller-driven approach.

YA Speculative FictionSelective

She takes a limited amount of YA and restricts it to speculative fiction. She values a sense of wonder in YA — not gritty realism. Intake here is deliberately narrow; writers with adult crossover potential or a speculative YA manuscript that leans toward awe rather than darkness should still query, but should know adult is her priority.

Magical RealismOpen to

Listed among her fiction favorites and supported by her love of authors like Alice Hoffman. Works that blend the everyday with the uncanny — especially with upmarket or literary ambitions — fit naturally within her taste.

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Not the right fit

save yourself the rejection
Manuscripts exceeding 130,000 words
Stories centered on sexual assault
Travel-focused narratives
AI-centric plots
Historical fiction (unless written in the spirit of Jane Austen — i.e., Regency-era social comedy/romance rather than war or political history)
Memoir
Military sci-fi
Fairytale retellings
Main characters who are princesses
YA outside of speculative fiction
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On Joanna's list

authors and titles represented
RR
Rebecca RossDivine RivalsNamed as a personal favorite; taste signal for romantic, magic-rich adult fantasy.
RK
R.F. KuangBabelNamed as a comp touchstone; signals appetite for dark academic, literary fantasy.
OB
Olivie BlakeThe Atlas SixNamed as a comp touchstone; signals taste for ensemble casts and morally complex magic systems.
LB
Leigh BardugoSix of CrowsNamed as a personal favorite; taste signal for dark, heist-driven YA/adult fantasy with romance.
AR
Ava ReidA Study in DrowningNamed as dark-academia comp; she specifically wants an adult equivalent of this book.
AH
Alice HoffmanThe Rules of MagicNamed as a personal favorite; taste signal for magical realism and women's fiction.
CN
Celeste NgLittle Fires EverywhereNamed as a personal favorite; taste signal for upmarket literary fiction with emotional stakes.
SC
Suzanne CollinsThe Hunger GamesNamed as a personal favorite; taste signal for high-stakes YA/adult dystopian fiction.
TA
Tomi AdeyemiChildren of Blood and BoneNamed as a personal favorite; taste signal for BIPOC-centered YA speculative fiction.
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Taste fingerprint

the threads that run through Joanna's taste
dark academiaromance thread requiredmagical realismcozy fictionadult fantasyupmarket women's fictiongothicdystopian sci-fiBIPOC voicesoriginality-first
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How to query Joanna

9 ways in By email
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Send a query letter plus the first three chapters directly to jrasheed@ultraliterary.com — this is her stated submission format; do not deviate.

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Lead with your hook and what makes the concept original. She has said originality is her primary filter, so your query letter should front-load the fresh angle, the unusual mashup, or the unexpected twist — not the plot summary.

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Confirm you have a romance thread before querying. It is not a bonus; she describes it as something she loves most. If your story is romance-free, she is likely not the right fit.

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Name your genre and heat level clearly. She handles a wide range of adult fiction, and helping her immediately slot your book (e.g., 'adult cozy gothic with a romantasy thread') will work in your favor.

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If you're writing cozy fiction of any genre — including literary cozy — signal that prominently. She has specifically flagged this as an active, high-priority want right now.

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Stay under 130,000 words. This is a hard stated limit. Do not query above it.

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Avoid the explicit exclusions — no princess MCs, no fairytale retellings, no AI-centered plots, no travel narratives, no sexual assault as a central story element, no military sci-fi.

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Her taste media (Wednesday, Shadow & Bone, The Witcher, Maxton Hall) skew dark, romantically charged, and visually atmospheric — if your comp titles or vibe align with that aesthetic, say so.

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Verify the live form / email status before submitting — her inbox closed temporarily in early 2026 and reopened; it could shift again.

Search for their submission page
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Frequently asked

what writers ask about Joanna
Is Joanna Rasheed open to queries right now?
As of mid-April 2026, her query status was observed as open. However, she previously closed her inbox in early 2026 to process a backlog, then reopened — so her status can change. Always check her live submission form or agency page at Ultra Literary before sending.
What agency is Joanna Rasheed with?
She is an agent at Ultra Literary.
Does Joanna Rasheed represent YA?
Yes, but in limited quantities and only within speculative fiction. She is primarily focused on adult fiction; YA intake is explicitly described as selective. If you have a YA manuscript, it must be speculative and carry a genuine sense of wonder.
Does Joanna Rasheed want romance?
Yes — a romance thread is close to a requirement for her. She describes it as something she loves most. She does not need a full romance genre novel, but the story should have a meaningful romantic element woven through it.
What does Joanna Rasheed NOT want?
She will not consider: manuscripts over 130,000 words; stories that center on sexual assault, travel, or artificial intelligence; military sci-fi; fairytale retellings; main characters who are princesses; memoir; or historical fiction unless it captures the social-comedy spirit of a Jane Austen novel.
Does Joanna Rasheed want historical fiction?
Generally no — with one narrow exception. She will consider historical fiction written in the vein of Jane Austen, meaning Regency-era social or romantic comedy in that spirit. Straight historical fiction, historical war narratives, or other periods are not something she seeks.
What kind of cozy fiction is Joanna Rasheed looking for?
She wants cozy fiction across all genres — cozy fantasy, cozy gothic, literary cozy, cozy upmarket. The genre label is less important than the cozy sensibility. She also specifically notes interest in an encyclopedic or analytical narrative voice in this space.
How do I submit a query to Joanna Rasheed?
Send an email to jrasheed@ultraliterary.com with your query letter and the first three chapters of your manuscript attached or included per her current guidelines.
What word count does Joanna Rasheed accept?
She has a stated maximum of 130,000 words. No exceptions are mentioned, so manuscripts above that limit should not be submitted.
What is Joanna Rasheed's taste in adult fantasy specifically?
She welcomes adult fantasy across the full spectrum — high, low, cozy, dark, romantasy — with or without heavy worldbuilding. Her personal touchstones suggest she gravitates toward morally complex characters, intellectually rich settings (dark academia in particular), and stories where magic is integral rather than decorative. A romance thread and an original premise are the two biggest draws.