Glass Elevator

Jody Kahn is a Brandt & Hochman agent who hunts for beautifully written, deeply character-driven literary and upmarket fiction and story-forward narrative nonfiction — with a particular appetite for voice, complexity, and work plugged into the current cultural conversation.

Synthesized from 2 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Jody Kahn's core demand is dual: prose that sings AND a story that grips — neither alone is enough.

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The wishlist has evolved: an earlier emphasis on 'dark and edgy' has been updated to 'humor is always a plus,' and science has been dropped from the nonfiction list in favor of culture and social justice — query accordingly.

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Kahn favors untold stories and misunderstood populations, signaling an appetite for nonfiction that illuminates overlooked subcultures or underrepresented communities.

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The agency (Brandt & Hochman) is a long-established New York house known for serious literary work; querying Kahn fits writers who want a home with deep industry roots rather than a newer boutique.

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Query by email only — no online submission portals; paste the first ten pages into the body of the email.

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Lately

most recent public notes

Kahn's current agency biography emphasizes humor as a welcome quality — a notable shift from an earlier public description that foregrounded 'dark and edgy.' The current page also adds explicit interest in untold stories and misunderstood populations, and replaces science with culture and social justice in the nonfiction list.

April 2026 · 3mo ago
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What Jody is looking for

organized from the wishlist, interviews, and listings
Literary FictionActively seeking

Kahn's primary zone. Wants prose that is genuinely well-crafted alongside a rich, propulsive storyline — the two must coexist. Deeply drawn, complex characters and a distinctive narrator's voice are non-negotiable. Work that engages with the current cultural moment is especially welcome, as is anything told from a perspective that has been underrepresented or misunderstood. Dysfunctional family sagas, morally complicated historical settings, and narratives with layers that don't resolve easily all fit the taste profile.

CompsThe History of Love by Nicole KraussThe Tiger's Wife by Téa ObrehtOnce Upon a River by Diane SetterfieldDept. of Speculation by Jenny OffillEuphoria by Lily KingLet the Great World Spin by Colum McCannSuper Sad True Love Story by Gary ShteyngartThen We Came to the End by Joshua Ferris
Upmarket FictionActively seeking

Commercial enough to reach a wide readership, literary enough to satisfy a discerning one. Kahn is drawn to work with a grounded speculative element or strong cultural currency. Humor — when it serves the story — is actively welcomed here.

Narrative Nonfiction — Culture, Social Justice & JournalismActively seeking

Kahn wants nonfiction that reads with the momentum and texture of a novel. Stories about overlooked communities, social justice themes, and cultural flashpoints are a current priority. Reported journalism with strong narrative architecture fits well here.

CompsDevil in the White City by Erik Larson
Narrative Nonfiction — Sports & FoodOpen to

Sports and food writing are explicitly named interests, but the bar is storytelling first: Kahn wants a compelling human story that happens to live in these worlds, not a how-to or pure reportage.

CompsBorn to Run by Christopher McDougall
Narrative Nonfiction — HistoryOpen to

Historical narrative is welcome when it illuminates a little-known period or subculture with novelistic depth. The emphasis is on unearthing stories that have been overlooked rather than re-treading canonical events.

CompsDevil in the White City by Erik Larson
Literary Memoir & Personal EssaysOpen to

Kahn is drawn to memoir and essay collections by writers who are analytical, voice-forward, and engaged with larger cultural or social questions. The prose standard is high; confessional writing without intellectual scaffolding is unlikely to be the right fit.

CompsThe Argonauts by Maggie NelsonA Shining Affliction by Annie Rogers
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Not the right fit

save yourself the rejection
Genre fiction without a strong literary or upmarket dimension
Children's picture books or middle grade
Young adult (not listed on Kahn's page — see Mitchell Waters at the same agency)
Purely commercial or plot-driven thrillers lacking distinctive voice or character depth
Straight how-to, self-help, or prescriptive nonfiction
Hard science writing (science was removed from the current agency page — do not query on this basis)
Screenplays or poetry
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On Jody's list

authors and titles represented
NK
Nicole KraussThe History of LoveNamed touchstone; literary fiction, beloved characters and emotional depth
TO
Téa ObrehtThe Tiger's WifeNamed touchstone; literary fiction with folklore elements
DS
Diane SetterfieldOnce Upon a RiverNamed touchstone; strong female protagonist and atmospheric setting
JO
Jenny OffillDept. of SpeculationNamed touchstone; experimental format, emotional interiority
LK
Lily KingEuphoriaNamed touchstone; historical fiction with complex characters
CM
Colum McCannLet the Great World SpinNamed touchstone; historical fiction, rich and multivocal
GS
Gary ShteyngartSuper Sad True Love StoryNamed touchstone; quirky, humorous literary fiction
JF
Joshua FerrisThen We Came to the EndNamed touchstone; darkly comic workplace literary fiction
CM
Christopher McDougallBorn to RunNamed touchstone; narrative nonfiction, sports
EL
Erik LarsonDevil in the White CityNamed touchstone; narrative nonfiction, history
MN
Maggie NelsonThe ArgonautsNamed touchstone; literary memoir, feminist theory
AB
Alison BechdelNamed as an admired writer; graphic memoir and comics
LJ
Leslie JamisonNamed as an admired writer; essays and literary nonfiction
AR
Annie RogersA Shining AfflictionNamed touchstone; literary nonfiction/memoir
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Taste fingerprint

the threads that run through Jody's taste
voice-drivenliterary fictionupmarket fictionnarrative nonfictioncultural currencydysfunctional familiesuntold storiesfeminist lenshumor welcomecharacter depth
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How to query Jody

8 ways in By email
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Paste the first ten pages of your manuscript directly into the body of the email — do not attach them as a file; attachments are not how Kahn reviews opening pages.

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Address the email to jkahn@bromasite.com; this is the confirmed query address for Kahn specifically, distinct from other agents at the same agency.

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Lead your query letter with the cultural or human stakes of the book — Kahn explicitly values work plugged into the current conversation and stories about overlooked communities; frame your project in those terms if applicable.

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Demonstrate voice in the query itself: since voice-driven narrative is a top criterion, a flat, purely transactional query letter undersells voice-forward work.

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If submitting nonfiction, make clear why this story has been untold or underrepresented — 'untold stories' and 'misunderstood populations' are Kahn's own language for what excites them in this category.

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Do not query Kahn about science writing; it appeared in an older version of the wishlist but is absent from the current agency page — this category has been dropped.

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Humor, when it is genuinely embedded in the work, is worth flagging — the current profile explicitly welcomes it, whereas earlier descriptions did not lead with this quality.

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Confirm that the submission window is still open by checking the live agency page before sending; query status can change without notice.

See how to email your query
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Frequently asked

what writers ask about Jody
Is Jody Kahn currently open to queries?
As of the most recent observation (April 16, 2026), Kahn was open to queries. Because query status changes without notice, writers should verify the current state on the Brandt & Hochman agency page before submitting.
What agency does Jody Kahn work for?
Kahn is an agent at Brandt & Hochman Literary Agents, Inc., a long-established New York literary agency.
Does Jody Kahn represent genre fiction — thrillers, fantasy, romance?
Not as standalone genre fiction. Kahn's list is centered on literary and upmarket fiction. Genre elements (e.g., a speculative thread or romantic subplot) can work as a flavor within a literary frame, but a purely commercial genre novel is unlikely to fit.
Does Jody Kahn represent YA or children's books?
No. YA and children's books do not appear on Kahn's current agency profile. Writers with YA projects at the same agency might look at Mitchell Waters, who explicitly lists YA.
Does Jody Kahn represent science writing or science narrative nonfiction?
Science was listed in an earlier version of Kahn's wishlist but is absent from the current agency page. Do not query Kahn with a science-focused project; the interest has not been carried forward.
How should I submit to Jody Kahn?
By email to jkahn@bromasite.com. Include your query letter and paste the first ten pages of the manuscript into the body of the email — no attachments. If Kahn wants to read more, they will follow up.
What does Jody Kahn mean by 'untold stories and misunderstood populations'?
This is language from Kahn's current agency bio indicating an interest in narratives that center communities, subcultures, or historical moments that mainstream publishing has overlooked or mischaracterized. Both fiction and nonfiction that fits this description are welcome.
What kind of nonfiction does Jody Kahn represent?
Kahn focuses on narrative nonfiction — work that tells a compelling human story with novelistic momentum. Current priority areas include culture, social justice, sports, food, history, literary memoir, and journalism. Prescriptive, self-help, or straight how-to nonfiction is not a fit.
Is Jody Kahn interested in dark or edgy fiction?
An earlier wishlist post described 'dark and edgy' as 'always a plus.' The current agency page no longer uses that framing, replacing it with an emphasis on humor and cultural resonance. Dark, morally complex work can still fit — but writers should not pitch Kahn on edginess alone.
What does Jody Kahn's ideal book feel like?
Based on Kahn's own words, the ideal submission grips them from the first page, takes them into a new world, and holds them there through layers of complexity that resist easy resolution. Beautifully crafted prose is a baseline, not a bonus; story and character must match it.