Glass Elevator

Kelly Thomas is a generalist associate agent at Serendipity Literary Agency with a sharp eye for psychological depth, anti-heroes, and true crime — equally at home in commercial nonfiction and dark adult fiction, with a selective children's list rounding out her practice.

Synthesized from 3 independent signals · last reviewed June 2026
01

In brief

the 30-second read
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Her agency page reveals she is genuinely broad — nonfiction is her widest lane, spanning memoir, true crime, self-help, STEM, music/film, psychology, and cultural commentary — yet her fiction taste skews dark and morally complex almost exclusively.

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Her stated love of anti-heroes and morally ambiguous protagonists is a through-line across every fiction category she names; writers without that psychological tension should look elsewhere.

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A recent public signal (May 2026) shows active, enthusiastic interest in MG, YA, and adult fiction featuring a female 'baddie' lead — pirates, valkyries, warrior queens, mythological goddesses, bandits — suggesting her children's and YA appetite is narrower and more specific than her general page implies.

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She holds professional memberships in both the film/TV and literary worlds (NYWFT, WIF, AALA) and has a feature film in development herself — a meaningful signal that she thinks about her books' adaptation potential.

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Her submission form was observed closed as of May 27, 2026; writers should verify the live form before querying, as her stated interests remain active.

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Lately

most recent public notes

I’m thrilled to be participating in Industry Engagement Day presented by @thewritingbarn.bsky.social on July 18th. I’ll be on the Picture Book Palooza II panel & I’m providing written manuscript critiques. Best of luck to everyone!

UpdateBluesky· July 2026Fresh

I’m still actively looking for MG, YA or adult fiction with a female baddie main character. Think female pirate, shield maiden, valkyrie, warrior queen, mythological goddess, bandit or outlaw. #WritingCommunity

WishlistBluesky· May 2026Fresh

Someone is impersonating me using a fake email Kelly.serendipityliteraryagency@gmail.com to request manuscripts. THIS IS NOT ME! I do NOT use Gmail for submissions. Don't send them your manuscript. Please share to protect other writers. DM me if this person has contacted you. I'm taking legal action

UpdateBluesky· May 2026Fresh

Looking for fiction audiobook recommendations that are light, fun & uplifting. I’ve been reading heavier nonfiction (just finished Nobody’s Girl by Virginia Giuffre, The Book of Murder by Matt Murphy, & Chasing Evil by Robert Hilliard) & would love something more escapist. No romance. Suggestions?

WishlistBluesky· March 2026Fresh

She posted an active call for MG, YA, or adult fiction led by a female villain-type protagonist — naming female pirates, shield maidens, valkyries, warrior queens, mythological goddesses, bandits, and outlaws as examples of the archetype she's hunting.

May 2026 · 1mo ago
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What Kelly is looking for

organized from the wishlist, interviews, and listings
True Crime (Nonfiction)Actively seeking

This is among her most emphasized categories. She wants manuscripts with a rigorous, methodical structure — the kind where the real events feel as propulsive and twisty as a thriller novel. A strong, original angle on the crime or the perpetrator's psychology is essential. Platform and subject expertise help but are not always required if the narrative is strong enough.

Adult Psychological Thriller & SuspenseActively seeking

She wants fast-paced, plot-driven fiction with genuine surprise — unexpected turns that reframe everything. Most importantly, she wants morally complicated protagonists: anti-heroes who are simultaneously repellent and magnetic, characters who blur the line between hero and villain. Stories told from an unusual or unsettling psychological perspective are a particular draw.

CompsYou (Caroline Kepnes)American Psycho (Bret Easton Ellis)Fight Club (Chuck Palahniuk)My Sister, the Serial Killer (Oyinkan Braithwaite)
HorrorActively seeking

Character-driven horror with literary roots is her sweet spot — she gravitates toward the gothic and the psychologically eerie rather than pure gore. Classic horror sensibility (the uncanny, the morally corrupt, the seductive monster) matters more than shock value.

CompsInterview With the Vampire (Anne Rice)Dracula (Bram Stoker)Psycho (Robert Bloch)
Narrative & Commercial NonfictionActively seeking

Her broadest category and arguably her deepest expertise. She represents the full spectrum: memoir, self-help, prescriptive and practical guides, business, STEM, psychology, health and fitness, travel, nature, food and drink, music, film, investigative journalism, social theory, and cultural commentary. She actively seeks 'big idea' books that synthesize culture, history, and lived human experience — works that make readers think differently. Expert-driven, platform-driven, and subject-driven projects are all welcome. She particularly enjoys working with musicians, athletes, and television personalities on narrative or expertise-based books.

Adult Fiction — HumorOpen to

She lists humor alongside her darker fiction interests, suggesting she can represent comedic adult fiction — but given the rest of her wishlist skews dark, a comic novel with a sharp psychological or satirical edge is likely the best fit.

MG, YA & Adult Fiction — Female 'Baddie' LeadActively seeking

As of May 2026, she is actively and enthusiastically seeking stories — across middle grade, young adult, and adult fiction — where the central character is a female villain or morally ruthless protagonist. Her specific examples include female pirates, shield maidens, valkyries, warrior queens, mythological goddesses, bandits, and outlaws. This is a targeted, passion-driven call and represents her most specific and current wishlist signal.

Children's — Picture Books & YA (selective)Selective

She takes a limited number of children's projects, including picture books and young adult titles. Her agency page notes a particular interest in stories that feature [the source fragment ends here, suggesting specific criteria she names elsewhere]. Given her broader taste for strong voices, diverse perspectives, and psychological complexity, children's submissions should reflect those values. Writers should verify any additional criteria on her live agency page before submitting.

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Not the right fit

save yourself the rejection
Genre fiction outside her stated categories (e.g., romance, high fantasy, science fiction) — nothing in her record or wishlist supports these
Picture books or MG/YA from authors whose work does not align with her stated selectivity for children's projects
Straightforward, morally uncomplicated protagonists in fiction — her taste consistently runs toward anti-heroes and moral ambiguity
Nonfiction without a clear subject, platform, or narrative hook — she wants a defined angle, not a general topic survey
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On Kelly's list

authors and titles represented
OB
Oyinkan BraithwaiteMy Sister, the Serial KillerNamed by Kelly as a touchstone for the morally complex fiction she seeks; reflects her taste for dark, wry, character-driven thrillers.
CK
Caroline KepnesYouNamed touchstone; exemplifies the unreliable, obsessive anti-hero POV she actively seeks in psychological suspense.
BE
Bret Easton EllisAmerican PsychoNamed touchstone; signals appetite for transgressive, satirical psychological fiction with a deeply disturbing protagonist.
CP
Chuck PalahniukFight ClubNamed touchstone; underscores her preference for narratively disruptive, anti-establishment male anti-heroes and unreliable narration.
AR
Anne RiceInterview With the VampireNamed touchstone; signals gothic horror, literary voice, and the sympathetic-monster archetype she gravitates toward.
BS
Bram StokerDraculaNamed touchstone; classic gothic horror with epistolary construction — reflects her appreciation for craft and atmosphere in horror.
RB
Robert BlochPsychoNamed touchstone; lean, psychologically driven thriller-horror — the progenitor of the murderous unreliable narrator she loves.
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Taste fingerprint

the threads that run through Kelly's taste
anti-heroespsychological complexitydark fictiontrue crimemorally ambiguous protagonistsgothic horrorfemale villainslyrical writingstrong narrative voicebig-idea nonfiction
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How to query Kelly

8 ways in Through an online form
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Verify the form is open before drafting your query — it was closed as of late May 2026 but she has been actively posting wishlists, suggesting she reopens periodically.

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Lead with your protagonist's psychological complexity. Her touchstone titles are united by one thing: a protagonist who is disturbing yet magnetic. Name that tension in your first paragraph.

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If you're pitching fiction, specify the moral architecture of your lead character — anti-hero, villain protagonist, or deeply flawed narrator. This is her primary filter.

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For nonfiction, front-load your credentials, platform, and the specific angle that makes your take fresh. She distinguishes between expert-driven, platform-driven, and subject-driven projects — identify which yours is.

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Her May 2026 wishlist signal for a female 'baddie' protagonist is specific and fresh — if your MG, YA, or adult project fits that archetype, call it out explicitly in your opening line.

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Her film and TV background is real: if your book has strong adaptation potential (high-concept premise, cinematic pacing, a role that would attract talent), it is worth a brief mention — but don't lead with it over the story itself.

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She teaches synopsis and query-letter craft professionally — she will notice sloppy query mechanics. A clean, precise query letter signals you take the craft seriously, which matters to her.

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Children's and picture book submissions should reflect her stated selectivity — review her live agency page for any additional criteria before submitting, as her fragment on this category was incomplete.

Open the submission form
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Frequently asked

what writers ask about Kelly
Is Kelly Thomas open to queries right now?
Her submission form was directly observed as closed on May 27, 2026. However, she posted an active wishlist call just two days earlier (May 25), indicating she is actively building her list and likely reopens periodically. Check her live agency page and form before submitting.
What agency does Kelly Thomas work at?
She is an Associate Agent at Serendipity Literary Agency.
What does Kelly Thomas most want right now?
As of May 2026, her most specific and enthusiastic call is for MG, YA, or adult fiction with a female villain or morally ruthless protagonist — pirates, valkyries, warrior queens, mythological goddesses, bandits, and outlaws are her cited examples. She is also consistently hungry for true crime nonfiction and psychological thrillers with anti-hero leads.
Does Kelly Thomas represent nonfiction?
Yes — it is arguably her broadest category. She actively seeks memoir, true crime, self-help, business, STEM, psychology, health and fitness, travel, nature, music, film, food and drink, investigative journalism, social theory, and cultural commentary. Both platform-driven and expert-driven nonfiction are welcome.
Does Kelly Thomas represent children's books or picture books?
Yes, but selectively. She takes a limited number of picture book and young adult projects. Her most current signal suggests her YA interest is specifically focused on stories with a female 'baddie' protagonist archetype. Review her live agency page for any additional stated criteria, as her published description of this category appears to be incomplete.
What does Kelly Thomas NOT want?
She does not appear to seek romance, high fantasy, science fiction, or other genre categories she has not named. In fiction, she consistently gravitates away from straightforward, morally uncomplicated protagonists — a clean-cut hero with no shadow is unlikely to excite her. In nonfiction, unfocused manuscripts without a clear platform, expert angle, or original thesis are not a fit.
What kind of protagonist does Kelly Thomas want in fiction?
Anti-heroes and villain protagonists who are simultaneously repellent and compelling. Her named touchstones — from Joe Goldberg to Patrick Bateman to Lestat — share a disturbing interiority that readers can't look away from. Morally clean heroes are not her preference.
Does Kelly Thomas have a film and TV background?
Yes — meaningfully so. She is a member of New York Women in Film & Television and Women in Film, serves as a panelist on a biannual adaptations webinar, and has a feature-length film of her own in development. This background suggests she is attuned to a book's adaptation potential, which may be worth noting briefly in a query if relevant.
What publishers or imprints does Kelly Thomas have relationships with?
Her confirmed deal record is not available in the current data, so specific publisher relationships cannot be established with confidence. Her taste profile — dark literary fiction, commercial nonfiction, and gothic horror — suggests natural alignment with imprints that publish in those spaces, but no specific relationships should be assumed without a confirmed deal history.
Is Kelly Thomas a good fit for horror?
Yes, particularly literary and psychological horror in the gothic tradition. Her named touchstones include Dracula, Interview With the Vampire, and Psycho — all of which prioritize psychological unease, atmosphere, and morally seductive monsters over gore. Transgressive horror with a strong narrative voice is her lane; pure splatter fiction is less likely to be a match.