Glass Elevator

Maria Vicente is a Toronto-rooted, Atlantic Canada–based Senior Literary Agent at P.S. Literary Agency who champions strange, beautiful, structurally adventurous books across every age category—with a particular appetite for weird fiction, occult nonfiction, and graphic novels made solely by author-illustrators.

Synthesized from 3 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Maria Vicente represents all age categories—picture books are not on the current wishlist, but adult fiction, YA, MG, graphic novels, and nonfiction all are—making them one of the more range-spanning agents at P.S. Literary.

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The deal record and client roster signal a strong real-world track record in children's and YA publishing, but Vicente's stated current priority is actively growing the adult fiction list—a meaningful pivot worth noting for writers in that space.

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Graphic novels come with a firm gate: only author-illustrators (sole creator writing AND drawing) need apply. Writer-only pitches for illustrated projects will not be considered regardless of age category.

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Vicente openly prizes shorter books and explicitly states they are not the right agent for epic fantasy series—a rare, candid self-disqualifier that saves everyone time.

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Vicente runs paid query-letter workshops and sits on the AALA board, signaling deep investment in the craft of submission itself—a query that is polished and commercially hooked is table stakes here.

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Lately

most recent public notes

Vicente announced the return of their query letter workshop for fall 2025, with two sessions (October and November) open for registration. Each session includes a two-hour virtual class, a live Q&A, and a professional critique of the attendee's query letter—a signal that Vicente invests seriously in the craft of querying and expects polished submissions.

September 2025 · 10mo ago
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What Maria is looking for

organized from the wishlist, interviews, and listings
Adult Literary & Upmarket FictionActively seeking

Vicente is actively building this part of their list and considers it a priority. They want genre-inflected literary fiction—fantasy with a grounded or folkloric feel, magical realism, horror, fairy-tale and folktale retellings—alongside contemporary fiction that captures 'cool girl' or 'sad girl' energy: queer themes, mental health, nostalgia, existential dread. Stylish mysteries and thrillers are also welcome. Novels that play with narrative structure get special attention. The through-line across all of it is distinctive prose style married to a clear commercial hook. Think dark, strange, and emotionally precise.

CompsThe Bloody Chamber by Angela CarterBunny by Mona AwadMy Year of Rest and Relaxation by Ottessa MoshfeghDeath Valley by Melissa BroderThe New Me by Halle ButlerThe Guest by Emma ClineJuliet the Maniac by Juliet EscoriaNight Film by Marisha PesslGodkiller by Hannah KanerLegends & Lattes by Travis BaldreeThe Fake by Zoe WhittallEmily Wilde's Encyclopaedia of Faeries by Heather Fawcett
Nonfiction (Adult)Actively seeking

Vicente wants nonfiction that brings a genuinely fresh angle to an entertaining subject—not a rehash. Priority topics include mental health, occult and esoteric subjects, art, pop culture, science, the environment, cultural history, and psychology. Preferred formats are essay collections, illustrated or photography-driven books, and focused single-topic personal development titles. A strong proposal must demonstrate both a new perspective and a reason readers will actually buy it.

CompsWitches of America by Alex MarThe Library of Esoterica series by TaschenLiterary Witches by Taisia Kitaiskaia and Katy HoranNightmare Fuel by Nina NessethTrick Mirror by Jia TolentinoThe 2000s Made Me Gay by Grace PerryHello I Want to Die Please Fix Me by Anna Mehler PapernyWhat We See in the Stars by Kelsey OseidAll the Gold Stars by Rainesford StaufferThe Creative Act: A Way of Being by Rick RubinAccidentally Wes Anderson by Wally Koval
Graphic Novels (All Age Categories)Open to

Vicente represents graphic novels and graphic nonfiction across all age ranges—children's through adult. The critical requirement: submissions are currently only accepted from author-illustrators, meaning one creator who both writes and draws the book. Writer-only pitches for graphic projects will not be reviewed. Beyond that gatekeeping, Vicente looks for work that genuinely exploits the visual-sequential format—books that could not exist in prose. Strong art style and story are equally weighted.

CompsThis Was Our Pact by Ryan AndrewsSpinning by Tillie WaldenOperatic by Kyo Maclear and Byron EggenschwilerLaura Dean Keeps Breaking Up With Me by Mariko Tamaki and Rosemary Valero-O'ConnellLighter Than My Shadow by Katie GreenAcquicorn Cove by Katie O'NeillThe Hills of Estrella Roja by Ashley Robin FranklinBug Boys series by Laura KnetzgerThe Baker and the Bard by Fern HaughtThe Racc Pack by Stephanie Cooke and Whitney Gardner
Young Adult FictionOpen to

Vicente's YA sweet spot is 'weird and wonderful'—magical realism, genre-blending, and stories that resist easy categorization. Contemporary YA is also welcome when the writing is exceptionally evocative and voice-driven. The bar is high: Vicente explicitly cites writers known for their stylistic intensity as the benchmark for the kind of prose that will catch their eye.

CompsWilder Girls by Rory PowerThey Both Die at the End by Adam SilveraThe Strange and Beautiful Sorrows of Ava Lavender by Leslye Walton
Middle Grade FictionSelective

Middle grade fantasy is on the list, but Vicente signals narrower interest here compared to other categories. The touchstone is witchy, imaginative MG with a strong speculative core. Writers in this space should ensure their project clearly fits the fantasy brief before querying.

CompsWitchlings by Claribel A. Ortega
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Not the right fit

save yourself the rejection
Epic fantasy series (explicitly stated as not a fit)
Long or sprawling manuscripts—shorter books are a consistent preference across all categories
Graphic novel submissions from writers who do not also illustrate their own work
Picture books (not listed anywhere on the current wishlist)
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On Maria's list

authors and titles represented
AP
Anna Mehler PapernyHello I Want to Die Please Fix MeNonfiction; cited as a personal favourite, reflects Vicente's mental health nonfiction interest
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Nina NessethNightmare FuelNonfiction; cited as a favourite, reflects pop culture/science crossover taste
RS
Rainesford StaufferAll the Gold StarsNonfiction; cited as a favourite, reflects cultural/essay nonfiction taste
CO
Claribel A. OrtegaWitchlingsMiddle grade fantasy; cited touchstone for MG submissions
ZW
Zoe WhittallThe FakeAdult fiction; cited as a personal favourite
HF
Heather FawcettEmily Wilde's Encyclopaedia of FaeriesAdult fantasy; cited touchstone for adult genre fiction
FH
Fern HaughtThe Baker and the BardGraphic novel; cited as a favourite for art style and story
SG
Stephanie Cooke & Whitney GardnerThe Racc PackGraphic novel; cited as a favourite
LK
Laura KnetzgerBug Boys seriesGraphic novel series; cited as a favourite
AF
Ashley Robin FranklinThe Hills of Estrella RojaGraphic novel; cited as a favourite
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Taste fingerprint

the threads that run through Maria's taste
strange & weirdliterary-commercial crossoveroccult & esotericqueer themessad girl/cool girl fictionstructural experimentationauthor-illustratorsmagical realismmental health narrativesshorter books
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How to query Maria

8 ways in Through an online form on their website
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Submit through Vicente's official website (mariavicente.com/representation)—the form is the only accepted route; email queries are not invited.

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Vicente runs query-letter workshops and clearly evaluates craft at the submission stage: a vague or generic query will not land. The hook must be commercial and specific.

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State the word count upfront—shorter manuscripts are a stated preference and length signals whether your project fits before they read a word of the sample.

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If you are querying adult fiction, acknowledge the 'strange or weird' quality of your work if it applies; Vicente values that framing and it signals you have done your research.

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For graphic novel submissions, make clear from the first line that you are the sole author-illustrator. Any ambiguity about who drew the book will likely result in an instant pass given the current submission policy.

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Vicente actively encourages queries from BIPOC, LGBTQ+, and disabled creators—this is stated explicitly and is not boilerplate.

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Do not query epic fantasy series or unillustrated picture books—these are clear mismatches. Do not query graphic novel writer-only projects.

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Double-check the live form status on Vicente's website before submitting; open periods can change and the profile here reflects a snapshot, not a guaranteed current state.

Search for their submission page
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Frequently asked

what writers ask about Maria
Is Maria Vicente currently open to queries?
As of April 2026, Vicente was open to queries. That said, submission windows can open and close, so always confirm the current status directly on their website before submitting.
What agency does Maria Vicente work at?
P.S. Literary Agency, a Canadian literary agency. Vicente holds the title of Senior Literary Agent and Senior Advisor there.
Does Maria Vicente represent picture books?
Picture books do not appear anywhere on Vicente's current wishlist. Writers of picture books should not query them at this time.
Can I query Maria Vicente with a graphic novel if I am just the writer, not the illustrator?
No. Vicente is currently only reviewing graphic novel submissions from author-illustrators—one creator who both writes and draws the book. Writer-only graphic novel pitches, regardless of age category, are outside current submissions.
Does Maria Vicente want epic fantasy?
No. Vicente has explicitly stated they are not the right agent for epic fantasy series. Fantasy submissions that are shorter, standalone, grounded, or folkloric in nature are a better fit.
What kind of nonfiction does Maria Vicente represent?
Vicente is drawn to nonfiction with a fresh perspective on engaging subjects: mental health, occult and esoteric topics, art, pop culture, science, the environment, and cultural history. Preferred formats include essay collections, illustrated or photography books, and focused personal-development titles. A strong book proposal is required.
Does Maria Vicente represent adult fiction, or mainly children's and YA?
Both, but Vicente has recently signaled that growing their adult literary and upmarket fiction list is an active priority. Writers sometimes associate them primarily with younger-audience work given their history, but adult fiction is where they are most actively seeking new clients right now.
What does Maria Vicente mean by 'strange or weird' books?
Vicente uses these terms as a cross-category aesthetic signal—books that are unsettling, unconventional, or that resist easy genre categorization. Think dark literary fiction with a surreal or horror tinge, or graphic novels that push what the format can do. It is not a genre designation but a tonal and structural sensibility.
Does Maria Vicente accept submissions from diverse creators?
Yes, and they explicitly encourage it. Vicente's wishlist directly welcomes and encourages submissions from BIPOC, LGBTQ+, and disabled creators.
How should I submit to Maria Vicente?
Via the submission form on their official website. Check mariavicente.com/representation for the current requirements, as submission guidelines can be updated at any time.