Glass Elevator

Marlo Berliner is a Jennifer De Chiara Literary Agency agent who built her career from the bookseller floor up, and now hunts for emotionally visceral MG, YA, adult suspense/thriller, and romance — with a particular soft spot for the dark, the gothic, and the puzzle-driven.

Synthesized from 3 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Her confirmed deal record skews heavily MG and YA, with all three known sales landing at major houses — two at Harper Children's and one at S&S/Denene Millner Books — signaling real editorial relationships with those imprints.

02

Despite a broad stated wishlist, her actual sales are exclusively children's/YA fiction; writers querying her adult categories (thriller, women's fiction, romance) should note that no confirmed adult deals appear in the public record yet.

03

She is herself a published YA author and former children's bookseller, which means she brings both craft instincts and market instincts to juvenile fiction — a meaningful edge for MG/YA clients.

04

Her favorite reads on her own shelf — a YA puzzle-mystery, a gothic survival novel, and a Victorian-era romantic mystery — sharply define her taste: clever plotting, atmospheric dread, and emotional resonance over issue-driven realism.

05

Queries sent by email or postal mail are explicitly ignored; the online submission form is the only accepted channel, and she commits to responding to all queries and requested manuscripts.

02

Lately

most recent public notes

Her agency page lists three recent deals — two MG acquisitions at Harper Children's and a YA acquisition at S&S/Denene Millner Books — and names specific favorite reads that illuminate her taste: a puzzle-mystery YA, a gothic survival YA, and a Victorian-set romantic mystery for adults.

November 2022 · 3y ago
03

What Marlo is looking for

organized from the wishlist, interviews, and listings
Middle-Grade FictionActively seeking

Berliner's confirmed deal record is anchored in MG, with two Harper Children's acquisitions proving her muscle here. She wants the full genre spectrum: adventure, fantasy, mystery, thriller, paranormal, horror, sci-fi, speculative, contemporary, and romance. Standout elements she gravitates toward include ghosts, witches, magic, gothic atmospherics, unreliable narrators, treasure hunts, and puzzle-driven plots. She is especially intrigued by concepts that transplant a popular adult IP or TV property into a younger-reader framework. Select MG nonfiction touching on pop culture, current events, or social commentary is also on the table.

CompsJourney Beyond the Burrow (Rina Heisel)Frances and the Monster (Refe Tuma)The Inheritance Games (Jennifer Lynn Barnes)Wilder Girls (Rory Power)
Young Adult FictionActively seeking

YA is the other core of her list, with a confirmed acquisition at S&S/Denene Millner Books demonstrating cross-imprint reach. Same broad genre appetite as MG applies here — all genres welcomed, with particular enthusiasm for dark, gothic, and genre-blended work. She is open to upper YA/new adult crossover stories set in college. Contemporary YA is welcome, but she explicitly notes she is not the best fit when the central conflict revolves around rape/rape culture, drugs, or illness. Select YA nonfiction with pop-culture or social-commentary angles is considered. Underrepresented and #ownvoices authors are actively encouraged to query.

Adult Horror, Thriller & SuspenseOpen to

On the adult side, her stated emphasis lands on psychological suspense, supernatural suspense, and domestic thriller. No confirmed adult deals appear in the public record, but her personal reading taste — gothic atmospherics, dark elements — maps naturally onto this category. Political, true-crime, and military/espionage thrillers are explicitly excluded.

CompsThe Widow of Rose House (Diana Biller)
Adult RomanceOpen to

She welcomes all romance subgenres except inspirational and erotic. For historical romance, her stated preference is the Gilded Age and forward — note this is a more specific threshold than a general 'historical' welcome, so earlier-set historicals are not a fit. No confirmed adult romance deals are on record; her interest here is stated rather than demonstrated.

CompsThe Widow of Rose House (Diana Biller)
Adult Women's FictionOpen to

Seeks women's fiction, upmarket fiction, and book-club-oriented work described as having 'heft and heart.' This aligns with her broader preference for emotionally resonant stories over purely commercial or beach-read fare.

Picture BooksSelective

Picture books are welcomed primarily from author-illustrators; a portfolio link is required. Text-only submissions are considered only selectively. She gravitates toward character-driven PBs that are cute, funny, or heartwarming — twists on familiar characters or storylines, and unlikely-friendship stories. Query only one picture book at a time.

04

Not the right fit

save yourself the rejection
Political thrillers
True crime
Military or espionage thrillers
Short stories or short story collections
Poetry or poetry collections
Screenplays
Books where the central conflict revolves around rape, rape culture, drugs, or illness (MG, YA, or adult)
Previously self-published books
Inspirational romance
Erotic romance
Historical romance set before the Gilded Age
Nonfiction outside of select MG/YA pop-culture or social-commentary projects
05

On Marlo's list

authors and titles represented
RH
Rina HeiselJourney Beyond the BurrowMG; Harper Children's, July 2021. Confirmed deal.
RT
Refe TumaFrances and the MonsterMG; Harper Children's, August 2022. Confirmed deal.
CA
Charity AlyseOther Side of the TracksYA; S&S/Denene Millner Books, November 2022. Confirmed deal.
06

Taste fingerprint

the threads that run through Marlo's taste
gothic atmospherepuzzle-driven plotsunreliable narratorsdark MG/YApsychological suspensesupernatural elementsemotional resonanceunlikely friendshipsunderrepresented voicesGilded Age and forward romance
07

How to query Marlo

8 ways in Through an online submission form
1

Email and postal queries are explicitly rejected — only the agency's online submission form is accepted, so locate that form on the agency website before doing anything else.

2

Include your first 20 pages of a finished, polished manuscript alongside your query letter; unfinished work is not appropriate to submit.

3

For picture books: paste the entire manuscript text into the query and include a link to your illustration portfolio — and query only one PB title at a time.

4

Lead with genre, age category, and word count up front, then move quickly to the emotional core of the story; Berliner has stated that a visceral emotional reaction is what keeps her reading.

5

If your work is gothic, puzzle-driven, or atmospheric — or if you are an underrepresented author — make that clear early; these are among her highest-priority signals.

6

Avoid querying MG or YA contemporaries where the central conflict is primarily rape/rape culture, drugs, or illness; this is an explicit pass regardless of execution quality.

7

For adult historical romance, confirm your setting falls within the Gilded Age or later before querying — earlier periods are not a fit.

8

The auto-response from the form confirms receipt; she commits to responding to all queries, so no need for follow-up unless her stated six-week window has passed by a significant margin.

Open the submission form
08

Frequently asked

what writers ask about Marlo
Is Marlo Berliner currently open to queries?
Her current open or closed status could not be confirmed from available sources. Check the live submission form on the Jennifer De Chiara Literary Agency website directly before querying, as status can change without public notice.
Which agency does Marlo Berliner work with?
She is a literary agent with The Jennifer De Chiara Literary Agency, a New York-based full-service agency that has been operating since 2001.
What does Marlo Berliner represent?
She represents middle-grade and young adult fiction across all genres, picture books (primarily from author-illustrators), and adult fiction in the horror/thriller/suspense, romance, and women's fiction categories.
What does Marlo Berliner NOT want?
She explicitly passes on political thrillers, true crime, military or espionage thrillers, short stories, poetry, screenplays, previously self-published books, inspirational or erotic romance, historical romance set before the Gilded Age, and any manuscript — regardless of age category — where the central conflict centers on rape/rape culture, drugs, or illness.
Does Marlo Berliner accept picture books from writers who are not illustrators?
Yes, but selectively. Her primary preference is author-illustrators who can supply a portfolio link. Text-only submissions are considered, but she is more likely to pass unless the material is a strong fit for her specific tastes (character-driven, funny, heartwarming, or with a clever twist on a familiar story).
How do I submit a query to Marlo Berliner?
Only through the online submission form on the Jennifer De Chiara Literary Agency website. She will not read queries sent by email or postal mail. Include your query letter and the first 20 pages of your manuscript. For picture books, also include the full text and a link to your portfolio.
How long does Marlo Berliner take to respond to queries?
She typically responds to queries within six weeks. Full manuscript reads take longer, but she states that all submissions — queries and requested materials alike — will receive a response.
What publishers has Marlo Berliner sold to?
Her confirmed deals are with Harper Children's (two MG titles) and Simon & Schuster's Denene Millner Books imprint (one YA title). These are her only publicly documented sales.
Does Marlo Berliner want adult romance or only YA romance?
Both. She actively seeks adult romance across all subgenres except inspirational and erotic, with a historical romance preference for the Gilded Age and forward. She also welcomes romance as a genre within her MG and YA fiction interests.
Does Marlo Berliner represent new adult fiction?
She is open to it conditionally — specifically, coming-of-age stories set in college that straddle the line between upper YA and new adult. She does not appear to seek standalone new adult as a distinct category.