Glass Elevator

Michelle Grajkowski is a Minnesota-based agent at 3 Seas Literary Agency with a long track record in commercial fiction—particularly romance in all its subgenres—who also champions select nonfiction, children's books, and women's fiction.

Synthesized from 1 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Michelle Grajkowski is one of the more established commercial-fiction agents in the Midwest, with 3 Seas Literary Agency being a boutique shop with real placement power at major publishers.

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Romance is the clear center of gravity in their practice—across subgenres from contemporary to paranormal—making this an especially strong query destination for romance writers at any career stage.

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The agency's boutique size means Grajkowski tends to work closely with repeat clients, so writers who land representation often stay for multiple books rather than a single deal.

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Grajkowski actively represents children's book author-illustrators, but writers-only picture book submissions are explicitly outside their scope—a critical distinction for anyone pitching picture books.

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Query status was observed as open in April 2026, but writers should verify the live submission form before sending, as status can change without notice.

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Lately

most recent public notes

Grajkowski has signaled an ongoing appetite for emotionally driven commercial fiction, especially romance across subgenres, as a consistent priority rather than a passing trend.

April 2026 · 3mo ago
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What Michelle is looking for

organized from the wishlist, interviews, and listings
RomanceActively seeking

Romance is the cornerstone of Grajkowski's list. All major subgenres are welcome—contemporary, paranormal, historical, romantic suspense, and beyond. Strong voice, emotional depth, and satisfying relationship arcs are the hallmarks of what tends to land here. This is the clearest, strongest fit for querying writers.

Women's FictionActively seeking

Grajkowski actively seeks women's fiction with commercial appeal—stories centered on women's lives, relationships, and personal growth that have broad mainstream readership. Books that blend emotional resonance with an engaging plot tend to perform well on this list.

Young Adult FictionOpen to

YA is a welcome category, particularly projects with strong voice and compelling coming-of-age stakes. Commercial YA with crossover potential is a natural fit given the broader list's commercial orientation.

Middle Grade FictionOpen to

Middle grade fiction is among the categories Grajkowski considers. Projects with distinct voice, adventure, humor, or heart—or some combination—align with the commercial sensibility of the wider list.

Children's Picture Books (Author-Illustrators Only)Selective

Grajkowski works with picture books strictly from author-illustrators—those who both write and provide the artwork. Writers submitting text only without accompanying illustrations should not query in this category. This gate is firm and non-negotiable.

NonfictionOpen to

Select nonfiction is on the table, particularly projects with a strong platform, a clear commercial audience, and a compelling hook. The specific nonfiction niches Grajkowski gravitates toward are not broadly publicized, so writers should frame platform and readership clearly in the query.

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Not the right fit

save yourself the rejection
Picture books from writers only (text without illustration — author-illustrators are welcome)
Literary fiction with limited commercial appeal
Screenplays and scripts
Poetry
Short story collections
Academic or highly technical nonfiction
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On Michelle's list

authors and titles represented
3R
3 Seas Literary Agency client rosterBoutique agency with a concentration in commercial fiction, romance, and women's fiction; specific individual client deal records were not available in source data for detailed attribution.
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Taste fingerprint

the threads that run through Michelle's taste
commercial fictionromancesubgenre-spanningwomen's fictionemotional resonancestrong voicechildren's author-illustratorsboutique agencyrepeat clientsMidwest
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How to query Michelle

8 ways in By email or through an online form — verify the current preferred method on the agency's live submissions page before querying
1

Lead with genre and subgenre immediately — Grajkowski's list is genre-forward, and a query that buries the category makes it harder to evaluate fit quickly.

2

For romance, name the subgenre explicitly (contemporary, paranormal, historical, romantic suspense, etc.) in the first line; don't make them infer it.

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If submitting women's fiction, distinguish it clearly from romance — shared emotional stakes aren't the same category, and conflating them signals a writer who hasn't done their research.

4

Picture book writers without illustration samples should not query in that category at all; doing so signals a misread of the list and wastes a submission opportunity.

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Nonfiction writers should front-load platform credentials and articulate the target readership — Grajkowski works in commercial nonfiction, not academic or platform-free projects.

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Because 3 Seas is a boutique agency, emphasize your long-term vision for the project (series potential, follow-up books) — repeat client relationships are a feature of how this agency operates.

7

Follow submission guidelines precisely as posted on the agency website; boutique agencies notice when writers don't read instructions.

8

Always verify the live query form status immediately before submitting — open/closed status can change without public announcement.

Search for their submission page
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Frequently asked

what writers ask about Michelle
Is Michelle Grajkowski currently open to queries?
As of mid-April 2026, Grajkowski was open to queries. That said, query windows at boutique agencies can shift without announcement — always check the live submission form on the 3 Seas Literary Agency website before sending anything.
What agency does Michelle Grajkowski work for?
Grajkowski is an agent at 3 Seas Literary Agency, a boutique literary agency based in Woodbury, Minnesota.
What genres does Michelle Grajkowski represent?
Grajkowski's list centers on commercial fiction — particularly romance across all subgenres and women's fiction — along with young adult, middle grade, select nonfiction, and picture books from author-illustrators only.
Does Michelle Grajkowski represent picture books?
Yes, but only from author-illustrators — writers who both write and supply the artwork. If you are a writer submitting picture book text without illustration, this is not the right submission target for you.
What does Michelle Grajkowski NOT want?
Grajkowski is not seeking picture books from writers only (text without art), literary fiction with narrow commercial appeal, screenplays, poetry, short story collections, or highly technical/academic nonfiction.
Does Michelle Grajkowski represent all romance subgenres?
Based on available signals, yes — contemporary, paranormal, historical, and romantic suspense all fall within their scope. Romance is the highest-priority category on their list.
How should I address or refer to Michelle Grajkowski in a query letter?
Grajkowski's pronouns are not publicly specified, so the safest and most respectful approach is to address them by name — 'Dear Michelle Grajkowski' — rather than using gendered salutations.
Is 3 Seas Literary Agency a big agency?
No — 3 Seas is a boutique agency. This means more direct agent-author relationships and a tendency toward long-term client partnerships, but also a smaller overall volume of new clients taken on at any given time.
What makes a strong query to Michelle Grajkowski?
Lead with your specific genre and subgenre, especially for romance. Demonstrate commercial awareness — know your audience and comparable titles. If you're pitching women's fiction, distinguish it clearly from romance. For nonfiction, platform and readership are essential. Follow all submission guidelines to the letter.
Does Michelle Grajkowski work with debut authors?
Nothing in the available public record restricts Grajkowski to established authors only. Given the commercial focus of the list, a strong, market-ready manuscript is the entry point regardless of prior publication history.