A former editorial director with two decades of publishing experience, Rebekah Von Lintel brings a seasoned acquisitions eye to Embolden Media Group, hunting for culturally resonant nonfiction, select upmarket and literary fiction, and children's books with genuine storytelling ambition.

Synthesized from 3 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Von Lintel spent a decade as editorial director at Baker Books, where she developed NYT-bestselling and award-winning authors — she brings genuine acquisitions muscle, not just taste, to agenting.

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Her editorial background skews heavily toward faith-adjacent and wellness-driven nonfiction; writers in inspirational, spirituality, and self-help categories will find a particularly well-networked advocate.

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She is newly agenting as of 2024, which means she is actively building her list — but her submission form was observed closed as of June 2026, so writers must verify the current status before querying.

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Her fiction appetite is deliberately narrow: 'select' upmarket, literary, and book-club fiction with a twist or retelling element — she is not a broad commercial fiction agent.

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Children's coverage is real but conditional: YA and middle grade are her primary focus; picture books are considered only selectively.

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Lately

most recent public notes

Von Lintel was spotlighted as a new agent building her client list, emphasizing her dual focus on nonfiction with cultural and psychological weight and fiction that offers a genuinely fresh twist or retelling element.

April 2024 · 2y ago
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What Rebekah is looking for

organized from the wishlist, interviews, and listings
Memoir & BiographyActively seeking

Deeply personal narratives with strong cultural, social, or psychological stakes. Her editorial background developed multiple memoir authors to bestseller status, so this is a proven lane for her. Voices that feel both intimate and broadly relevant are the target.

Narrative NonfictionActively seeking

Reported, story-driven nonfiction with a clear cultural or social thesis. She wants work that reads like a book, not a long article — compelling concept and authorial authority are both necessary.

Inspirational, Religion & SpiritualityActively seeking

This is the category most directly aligned with her decade at Baker Books, where she worked with faith-based bestsellers and award-winners. Authors in Christian living, inspirational faith, and spirituality who can also cross over to general audiences will be a strong match.

CompsJesus Revolution by Greg LaurieThe 40-Day Sugar Fast by Wendy Speake
Mental Health, Wellness & Self-HelpActively seeking

Mindfulness, personal growth, and self-help — particularly books with a psychological or emotional-wellness focus rather than purely productivity-driven ones. She responds to work that carries genuine cultural weight alongside practical value.

Business & Career DevelopmentOpen to

Business titles with a personal-development angle, including career strategy, time management, and professional relationships. Pure business strategy or finance-heavy titles are less likely to be her sweet spot given her editorial history.

Advice, Relationships & Personal GrowthOpen to

Practical and prescriptive books that blend relatable personal narrative with actionable guidance. Works with a strong author platform and a clear audience are best positioned here.

Home, Lifestyle, Photography & Gift BooksOpen to

Home decorating, organization, and visually driven lifestyle titles — including photography-forward or gift-book formats. These are considered selectively, likely when the author has a demonstrable platform or aesthetic brand.

Upmarket, Literary & Book Club FictionSelective

Her fiction appetite is intentionally narrow. She wants stories that bring something genuinely new — a fresh structural twist, a reimagining, or a retelling of some kind. Pure genre fiction is not her interest; the work must sit at the literary end of the spectrum and have book-club traction potential.

Young Adult (YA)Open to

She explicitly responds to young adult voices across her nonfiction interests as well as fiction. Her tastes in YA are described as broad, so a range of tones and subjects may resonate — the best approach is a strong query that foregrounds cultural relevance and voice.

Middle GradeOpen to

Middle grade is a primary focus within her children's category. Her tastes vary broadly here, so voice, concept, and storytelling quality are the decisive factors rather than a specific subgenre.

Children's Picture BooksSelective

Picture books are considered, but selectively — they are not a primary focus. Writers querying in this category should have a particularly strong concept and, ideally, author-illustrator credentials or a clearly defined visual vision.

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Not the right fit

save yourself the rejection
Commercial genre fiction (thriller, romance, fantasy, sci-fi, horror) as standalone categories
Poetry
Screenplays or scripts
Academic or scholarly nonfiction
Pure business/finance strategy titles without a personal-development dimension
Graphic novels (not indicated as a focus)
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On Rebekah's list

authors and titles represented
MI
Mo IsomNYT-bestselling author; developed during Von Lintel's tenure as editorial director at Baker Books (taste signal, not a confirmed agent sale).
SW
Sheila WalshAward-winning author; developed at Baker Books (taste signal).
WS
Wendy SpeakeThe 40-Day Sugar FastBaker Books; developed during Von Lintel's editorial directorship (taste signal).
GL
Greg LaurieJesus RevolutionBaker Books; developed during Von Lintel's editorial directorship (taste signal).
RG
Ruth GrahamDeveloped at Baker Books during Von Lintel's tenure (taste signal).
SH
Sheri HunterDeveloped at Baker Books during Von Lintel's tenure (taste signal).
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Taste fingerprint

the threads that run through Rebekah's taste
faith-and-spiritualitywellness-and-mindfulnesscultural-significancememoir-with-stakesupmarket-literary-fictionretellings-and-twistsyoung-adultmiddle-gradeinspirational-nonfictionauthor-platform-driven
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How to query Rebekah

8 ways in By email
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Her submission form was confirmed closed as of June 6, 2026 — check her current status at Embolden Media Group's website before sending anything.

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Query by email directly to the address listed on her agency page; confirm that address and any updated guidelines on the live agency site before submitting.

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Lead your query with the cultural, social, or psychological significance of your book — she responds to work that feels important, not just marketable.

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Nonfiction writers should establish platform credentials early in the query; her editorial background means she will immediately evaluate whether an author can reach their intended audience.

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If querying fiction, make the 'twist or retelling' element explicit and early — do not bury the structural or conceptual hook.

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For children's books, be clear upfront whether the project is YA, middle grade, or picture book, and why the concept is timely or culturally resonant.

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Authors in the faith, inspirational, or wellness space have the strongest alignment with her proven track record — lean into that positioning if it is authentic to the work.

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Keep the query letter tight and concept-forward; her background is acquisitions editorial, so she will read for the elevator pitch first and the execution second.

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Frequently asked

what writers ask about Rebekah
Is Rebekah Von Lintel currently open to queries?
Her submission form was directly observed as closed on June 6, 2026. This is the most recent authoritative signal available. Writers should check her current status on the Embolden Media Group website before submitting — forms like this can reopen without broad announcement.
What agency does Rebekah Von Lintel work for?
She is a literary agent at Embolden Media Group.
What does Rebekah Von Lintel represent?
Her primary interests are nonfiction (memoir, narrative nonfiction, spirituality and inspirational, wellness and self-help, business and career, relationships, and lifestyle/home), select upmarket and literary fiction with a twist or retelling element, and children's books with a focus on YA and middle grade. Picture books are considered selectively.
Does Rebekah Von Lintel represent picture books?
Yes, but selectively. Picture books are not a primary focus — YA and middle grade are. A picture book query should have an especially strong concept to stand out.
Does Rebekah Von Lintel represent genre fiction like fantasy, romance, or thriller?
Not based on her stated interests. She seeks only select upmarket, literary, and book-club fiction — specifically work with a new twist or retelling element. Straight genre fiction is outside her current focus.
What is Rebekah Von Lintel's background before agenting?
She spent roughly a decade as editorial director at Baker Books, where she worked with multiple NYT-bestselling and award-winning authors. She has over 20 years of total publishing industry experience. This means she approaches agenting with genuine acquisitions and editorial development expertise.
Is Rebekah Von Lintel a good fit for faith-based or Christian nonfiction?
Yes — this is arguably her strongest lane. Her entire prior editorial career was at a faith-based publishing house, and she developed major bestsellers in Christian living and inspirational nonfiction. Authors writing in that space will find a particularly experienced advocate.
How do you query Rebekah Von Lintel?
By email, to the address listed on her agency's website. Always check the live agency page for the current address and any updated submission guidelines before sending — and confirm her form is open first, as it was closed as of June 2026.
What does Rebekah Von Lintel NOT want?
She does not appear to be seeking poetry, screenplays, academic nonfiction, pure commercial genre fiction (standalone romance, thriller, fantasy, sci-fi, horror), or graphic novels. Her nonfiction interests are broad but favor personal narrative and cultural relevance over technical or purely data-driven work.
Is Rebekah Von Lintel a new agent?
She is new to agenting — she launched at Embolden Media Group and was spotlighted in April 2024 as an agent actively building her client list. However, she brings over 20 years of publishing experience, including a decade as an editorial director, so 'new agent' refers to her agenting tenure, not her industry standing.