Sabrina Lundberg is a Golden Wheat Literary agent with a clear appetite for voice-driven fiction and humor across age categories, with a particular lean toward middle grade, children's, and underrepresented perspectives.
In brief
The raw data on Sabrina Lundberg is limited — no confirmed deal record is available, so the profile below is built primarily from their stated wishlist rather than a sales history.
Their category spread (children's, middle grade, new adult, graphic novel, humor, memoir) suggests a generalist with a strong skew toward younger readers and comedic or culturally specific voices.
BIPOC Literature appearing as an explicit category signals a stated commitment to amplifying underrepresented authors — a meaningful differentiator worth noting in a query.
Query status is unverified — writers should check the live submission form at Golden Wheat Literary before querying, as no confirmed open/closed date is available.
The fragment 'I'd like the next…' in their wishlist is a strong cue that Lundberg responds well to comp-driven pitches; leading with a sharp, current comp is likely to land.
Lately
Lundberg's wishlist fragment — 'I'd like the next…' — is a partial but telling signal: they actively think in terms of breakout comps and cultural momentum, suggesting they respond well to pitches framed around what a book stands to become in the market.
What Sabrina is looking for
Middle grade appears central to Lundberg's list, sitting alongside children's and humor as a core category. Strongly voiced, character-driven stories — particularly those with comedic energy or culturally specific perspectives — are likely the sweet spot here.
Children's fiction is explicitly listed as a target category. Note: no distinction between picture book authors-only versus author-illustrators is specified in available data — writers should confirm on the submission form whether picture book text-only submissions are accepted.
Lundberg calls out BIPOC literature as a discrete category, signaling a genuine editorial priority rather than a passing interest. Stories by and about underrepresented communities across any of their fiction categories would likely be a strong fit.
Humor appears in both the fiction and nonfiction columns, making it one of the most consistent threads across the entire list. Comedic voice, satirical conceits, and laugh-out-loud narrative energy are clearly a core taste signal.
Fantasy is listed among the fiction categories, though no subgenre specifics are available. Given the overall profile tilt toward middle grade and children's, younger-skewing fantasy (MG fantasy, upper MG) may be a particularly natural fit.
Action and adventure round out the fiction slate. Plot-driven, propulsive stories — especially those anchored by a strong protagonist voice — align with the general profile here.
Graphic novels are listed as a sought category. No clarification is available on whether Lundberg accepts writer-only submissions for graphic novels or requires a complete writer-artist package — confirm before querying.
New adult fiction (typically featuring protagonists in the 18–25 range navigating early independence) is on the list. This is a niche and often under-served category — its inclusion suggests Lundberg is open to projects that don't slot neatly into YA or adult.
Memoir is the sole nonfiction category alongside humor. Voice-driven, emotionally resonant, or culturally specific memoirs — especially those with comedic undertones — seem like the most natural fit given the broader list.
Not the right fit
Taste fingerprint
How to query Sabrina
Lead with a sharp, specific comp — the 'I'd like the next…' phrasing in Lundberg's wishlist is a clear signal that they think in comp terms; name a recent, well-known title your book resembles in tone and audience.
If your project sits in BIPOC Literature, foreground that in your query's opening paragraph — Lundberg lists it as a discrete priority, not a subcategory, which means it should be treated as a headline identity for the project.
Humor is listed in both fiction and nonfiction — if your book has genuine comedic energy, let that voice come through in the query letter itself rather than just describing it; demonstrate the tone, don't just label it.
For graphic novels and picture books, confirm in the submission guidelines whether writer-only (without an illustrator) submissions are accepted before querying — the available data does not clarify this.
Verify query status and current submission guidelines directly on the Golden Wheat Literary website before sending — no confirmed open/closed window is available from public data.
Keep the query focused on one project; the breadth of Lundberg's category list may be tempting to pitch across, but a single, tightly framed pitch will always outperform a multi-project approach.