A self-proclaimed geek who loves escaping into worlds and stories from all walks of life, Saritza is will be open to queries for the first two (2) weeks of every month and only accepting work from creators who identify with, or are members of, an underrepresented group or global majority. She has represented bestselling and award-winning authors and illustrators of commercial fiction and nonfiction for over 15 years. Her love of great storytelling has driven her work in the publishing industry, and her passion for amplifying queer and BIPOC voices is what continues to drive her today. An avid romance, fantasy, and science-fiction reader, Saritza is a strong advocate of traditionally underserved and underrepresented communities. She enjoys fresh voices in MG, YA, and adult genre fiction and select nonfiction. She’s particularly excited to find more commercial fiction by and for diverse audiences in her queries. In
Adult Fiction, Saritza is looking for
Romance: sexy, swoon-worthy, escapist storylines with complex characters (think Kennedy Ryan’s CAN’T GET ENOUGH, FLIRTING LESSONS by Jasmine Guillory, WHEN JAVI DUMPED MARI by Mia Sosa, A TROPICAL REBEL GETS THE DUKE by Adriana Herrera, and Emily Henry’s GREAT BIG BEAUTIFUL LIFE) Science Fiction: propulsive and thought-provoking plotlines that are otherworldly and have crossover appeal (think RAGE OF DRAGONS by Evan Winter, PROJECT HAIL MARY by Andy Weir, Pierce Brown’s RED RISING series, and THE BROKEN EARTH series by N.K. Jemisin) Fantasy: both cozy and immersive, character-driven stories that take you on a fantastical journey (think A WITCH’S GUIDE TO MAGICAL INNKEEPING by Sangu Mandanna, A PSALM FOR THE WILD-BUILT by Becky Chambers, DEATH OF THE AUTHOR by Nnedi Okorafor, and Analeigh Sbrana’s LORE OF THE WILDS duology) Gothic Tales and Horror: atmospheric, gripping haunted tales or visceral stories that keep you in a chokehold through the entire read (think THE BETWITCHING by Silvia Moreno-Garcia, THE POSSESSION OF ALBA DIAZ by Isabel Cañas, and HOUSE OF BONE AND RAIN by Gabino Iglesias) Cozy mysteries: quirky, amateur sleuths in small towns or tight-knit communities solving crimes (think Rachel Eckstrom Courage’s MURDER BY CHEESECAKE, Jesse Q. Sutanto’s VERA WONG’S GUIDE TO SNOOPING, and THE EX-GIRLFRIEND MURDER CLUB by Gloria Chao) Upmarket Commercial Fiction: immersive family sagas and genre-bending fiction (think THE GRAND PALOMA RESORT by Cleyvis Natera, ANITA DE MONTE LAUGHS LAST by Xochitl Gonzalez, THIS IS THE ONLY KINGDOM by Jaquira Diaz) Adult Narrative Nonfiction Food/Drink books that speak to culture and diversity of cuisine (think DIASPORICAN by Illyanna Maisonet, and SALT, FAT, ACID, HEAT by Samin Nosrat) Narrative Nonfiction books that teach us more about our world through popular culture or family dynamics (think BLACK IN BLUES: HOW A COLOR TELLS THE STORY OF MY PEOPLE by Imani Perry, TÍAS AND PRIMAS by Prisca Dorcas Mojica Rodríguez) YA and MG Fiction All genres – though I’m particularly interested in more science fiction and romance in these categories. PLEASE NOTE: Queries received via email are deleted without response.
Fun facts about me
My great-aunt was the superintendent of schools in Ponce, Puerto Rico when I was a kid and taught me how to read at the age of 3. She was also the principal of my private school so I spent every lunch hour in her office reading and “hanging out” with her. I skipped Kindergarten and went straight to first grade at age 4 though I tested into second grade but my dad knew that I was a smart-ass and figured, a smart kid shouldn’t have TOO many chances to get into trouble. I’m a sucker for stories about smart and smart-ass kids like me who were maybe not troublemakers but probably wanted to be. My husband and I met in Orlando, Florida, and started dating when I was 13, he was 14. It’s one of the main reasons I love stories about young love and a total sap for friends-to-lovers tropes in romance. I’m a Spanglish connosseur. S