Glass Elevator

Stacey Kondla is a Rights Factory agent with a broad commercial appetite spanning adult fiction, non-fiction, and select children's categories, with a particular eye for accessible, high-concept storytelling that travels well across markets.

Synthesized from 1 independent signals · last reviewed June 2026
01

In brief

the 30-second read
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Stacey Kondla operates out of The Rights Factory, a Canadian agency with a strong international rights focus — meaning books sold through this agency often have co-agent relationships that can open doors in foreign markets.

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The input data for this agent is sparse; writers should treat this profile as a starting framework and verify all category preferences and submission details directly via the agency's live submission portal before querying.

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Query status was observed as open in April 2026, but submission windows can shift — always confirm on the live form before sending.

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The Rights Factory as an agency skews toward commercial and upmarket work that has clear genre handles, which likely shapes what Kondla prioritizes even when the wishlist is broad.

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Because detailed sales records and wishlist specifics are limited in available data, writers in any category should look for Kondla's most recent public statements or interviews for the clearest current picture of their taste.

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Lately

most recent public notes

Query status confirmed open, indicating Kondla is actively reviewing new submissions and building their client list.

April 2026 · 3mo ago
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What Stacey is looking for

organized from the wishlist, interviews, and listings
Adult FictionOpen to

Kondla welcomes commercial and upmarket adult fiction with strong genre handles and broad reader appeal. Work that travels well — meaning it has clear hooks, distinct voice, and cross-market potential — aligns with The Rights Factory's international rights model.

Adult Non-FictionOpen to

Narrative non-fiction and prescriptive works with a defined platform or strong commercial concept are likely a fit. Given the agency's orientation, books that can be pitched to international co-agents are a natural advantage.

Children's / Middle Grade / Young AdultSelective

Select children's categories may be within scope, but specifics on age ranges and sub-genres are unconfirmed in available data. Writers in this space should verify current openness directly before querying.

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Not the right fit

save yourself the rejection
Categories and sub-genres outside Kondla's stated interests (verify the live submission form for the current exclusions list)
Unsolicited full manuscripts without a prior query
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On Stacey's list

authors and titles represented
CD
Client roster details not confirmed in available dataNo specific confirmed deal records or named clients were present in the source data for this profile. Writers should consult current agency listings for representative titles.
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Taste fingerprint

the threads that run through Stacey's taste
commercial fictionupmarket fictionnarrative non-fictioninternational rights potentialhigh-conceptstrong hooksbroad reader appealCanadian agencycross-marketaccessible voice
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How to query Stacey

6 ways in Through an online form
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Submit through The Rights Factory's official online submission portal — this is the primary and preferred channel for Kondla and all agency agents.

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Because The Rights Factory has a strong international rights focus, briefly signaling your book's cross-market appeal (foreign settings, universal themes, genre clarity) can strengthen your query.

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Lead with a sharp, one-sentence hook: Kondla is part of an agency that values commercial positioning, so a clear genre handle and audience statement matter more than literary pedigree alone.

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Confirm the current open/closed status on the live form before submitting — status can change between observed snapshots.

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Review any category-specific requirements listed on the agency's submission page, as individual agents at The Rights Factory may have distinct genre preferences not captured in older public records.

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A concise, well-structured query letter with a clean synopsis is standard; avoid over-long pitches and let the concept do the work.

Search for their submission page
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Frequently asked

what writers ask about Stacey
Is Stacey Kondla currently open to queries?
Yes, as of mid-April 2026 Kondla was observed to be open to queries. However, submission windows shift, so always verify the current status on The Rights Factory's live submission form before sending anything.
What agency does Stacey Kondla work for?
Kondla is an agent at The Rights Factory, a Canadian literary agency known for its strong international rights operation.
What genres or categories does Stacey Kondla represent?
Available data indicates openness to adult fiction, adult non-fiction, and potentially select children's or YA categories, but detailed sub-genre preferences are not fully confirmed. Check the agency's current submission guidelines for the most accurate breakdown.
What does Stacey Kondla NOT want?
Specific exclusions are not detailed in available data. The safest approach is to review the live submission form at The Rights Factory, which typically lists genres each agent is not seeking.
How do I query Stacey Kondla?
Submit through The Rights Factory's online query form. Follow the agency's submission guidelines closely, lead with a clear hook and genre handle, and keep your letter concise.
Does Stacey Kondla represent picture books?
This is unconfirmed in available data. Given the agency's commercial orientation, if children's books are within scope, they likely skew toward middle grade or YA rather than picture books — but verify directly before querying.
Who has Stacey Kondla sold books to — which publishers?
No confirmed deal records were available in the data used for this profile. For the most current sales history, consult recent industry deal announcements or the agency's website.
Is The Rights Factory a good fit for international authors?
The Rights Factory's model explicitly includes international rights co-agenting, which can be an advantage for authors whose work has cross-market potential regardless of where the author is based.