Comp title
19 agents have named Such a Fun Age as a comparable title on their wishlist, and 9 are open to queries. If you’re pitching something in this lane, these are the agents to know. Always confirm an agent’s submission window before you query.
She is seeking romantic comedies where both leads are people of color; non-police, non-organized-crime mysteries; epic-scale mysteries with layered plots; domes…
View wishlist →She wants commercial fiction that doesn't sacrifice sentence-level craft — smooth writing is a baseline requirement, not a bonus. Psychological dramas with genu…
View wishlist →This is her primary focus. She wants fiction that pairs a distinctive, commanding voice with genuine narrative momentum — prose that moves. She is especially dr…
View wishlist →Grimm's core territory. They want fiction with a singular voice and strong emotional stakes — contemporary, historical, speculative, and mysterious all qualify,…
View wishlist →She groups these closely together on her page, and both appear repeatedly in her stated priorities. She wants upmarket writing — prose that has a literary quali…
View wishlist →Harper is drawn to literary and upmarket work that has real commercial pull — prose that earns its complexity but never loses narrative momentum. Think book-clu…
View wishlist →Stories driven by family secrets, complicated female friendships, and sibling dynamics are her sweet spot within this lane. She responds to emotionally layered …
View wishlist →Lieberman actively seeks plot-driven novels that take on systemic racism, class disparity, consumerism, and privilege — but wants the social commentary delivere…
View wishlist →Tess has a specific appetite for narratives that place a young female protagonist in a recognizable setting and use it to reveal something genuinely new about t…
View wishlist →Lake welcomes literary fiction that incorporates a speculative twist or draws on mythological frameworks — but the literary sensibility should be primary. These…
View wishlist →Annalise wants character-driven stories that still move — she is explicit that pure character studies without plot momentum are not for her. She gravitates towa…
View wishlist →She has a strong appetite for smart, readable fiction that is genuinely enjoyable — books you can devour in a weekend without feeling like you've sacrificed lit…
View wishlist →Hannah wants literary-leaning fiction with a strong concept hook and ensemble casts that resonate especially with millennial readers. The sweet spot is elevated…
View wishlist →Grunewald wants novels with genuine cultural currency—stories that feel of-the-moment, spark conversation, and carry a 'you have to read this' urgency. Multi-la…
View wishlist →Commercially appealing premises with genuinely flawed, rootable characters—but Lightner holds the line-level prose to a literary standard. This is upmarket, not…
View wishlist →She seeks commercial adult fiction built for shared reading—books with a unique hook that leave readers wanting to discuss them immediately. Thrillers, upmarket…
View wishlist →Interested in two lanes: sweeping generational sagas and sharp societal commentary. Both should provoke a strong emotional response. Also drawn to fiction that …
View wishlist →She actively seeks upmarket fiction with a female protagonist — ideally centering female friendship, found family, or intergenerational relationships. The writi…
View wishlist →McCain is especially enthusiastic about contemporary stories that live in the space between YA and adult readerships — work with strong plots, singular voices, …
View wishlist →Comp titles are drawn from what each agent has publicly said they’re looking for. A comp signals taste, not a guarantee — read the full profile before querying. Browse more comp titles →