Glass Elevator

Amy Giuffrida is a Southern California–based associate agent at Belcastro Agency who champions emotionally intense, diverse fiction—especially horror, women's fiction, and romance—with a particular passion for Latinx and BIPOC voices.

Synthesized from 3 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Her wishlist skews heavily toward emotionally driven fiction: horror (including gothic, feminist, and paranormal), adult and YA romance (minus romantasy), and women's fiction with family/cultural depth—these are her clearest priority lanes.

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She explicitly names multiple touchstone titles spanning literary-commercial women's fiction, vampire romance, and feminist horror, revealing a taste that bridges prestige readership and genre fandom—a useful positioning edge for dual-market manuscripts.

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Repeat patterns in her named comps (The Seven Husbands of Evelyn Hugo, Yellowjackets, Buffy) signal she values stories with layered female characters, dark ensemble energy, and slow-burn emotional payoffs over fast-twitch plot mechanics.

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Non-fiction is a secondary lane—she requires platform, credentials, and a unique hook, and is currently closed to memoir/biography; query her NF only if you have a demonstrable audience.

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She is closed to ALL picture books and middle grade, romantasy, fairy-tale retellings, pandemic/military stories, previously self-published work, memoirs/biographies, and content heavy on religion, suicide, sexual abuse, child abuse, or animal cruelty—these are hard stops, not soft preferences.

02

Lately

most recent public notes

She announced a query window opening the following day and running through February 7th, expressing genuine excitement about the incoming submissions.

January 2025 · 1y ago
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What Amy is looking for

organized from the wishlist, interviews, and listings
Adult RomanceActively seeking

Her first instinct in adult fiction. She wants big emotional swings—laughs, tears, genuine surprise—alongside heat and real stakes. Subgenres she calls out explicitly: horror-romance, paranormal romance, dark romance (consent required), historical romance, and contemporary romance. Romantasy is a firm no at this time.

CompsThe Black Dagger Brotherhood Series by J.R. WardFilthy Rich VampireThe Wedding People
Adult Horror & Speculative FictionActively seeking

She wants horror and spec-fic with genuine thematic weight—trauma, feminism, identity, culture—not just scares. Genre blending is actively encouraged. Southern/Appalachian Gothic and grounded sci-fi/fantasy fall under this umbrella. Romantasy excluded.

Women's FictionActively seeking

Commercial, upmarket, and book-club-ready stories built around love, loss, grief, family secrets, cultural tradition, and female experience. She wants female-led narratives that earn a place in both a mainstream readership and a literary conversation.

Young AdultActively seeking

High-stakes YA with genuine emotional depth exploring self-discovery, family, culture, identity, and mental health. Romantic threads and cozy tones are welcome. Horror, gothic, and grounded sci-fi/fantasy are all on the table. Fairy-tale retellings and pandemic/military premises are off.

CompsCounterfeitIf I Had Your FaceBlack SheepDeep End
Adult ThrillersOpen to

Psychological thrillers with social commentary, unreliable narrators, and twists that genuinely surprise. She favors character-driven suspense over procedural plots.

Non-Fiction (Adult)Selective

She is interested in advice/relationships/self-help, food and beverage, lifestyle, narrative non-fiction, and how-to, but only from authors who bring a built social media platform, relevant professional experience, and a distinctive hook. Memoirs and biographies are explicitly closed at this time.

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Not the right fit

save yourself the rejection
Romantasy (explicitly closed across all age categories)
Memoirs and biographies (explicitly closed at this time)
Picture books (ALL — a flat hard stop, not age-category-specific)
Middle grade (ALL — flat hard stop)
Fairy tale retellings and princes-and-princesses stories
Pandemic, virus, and military-based narratives
Screenplays, novellas, short story collections, and anthologies
Previously self-published work
Content heavy on religion, suicide, rape/sexual abuse, child abuse, or animal cruelty
Non-fiction without a platform, credentials, or a unique hook
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On Amy's list

authors and titles represented
TR
Taylor Jenkins ReidThe Seven Husbands of Evelyn HugoNamed touchstone; signals taste for multi-POV women's fiction with secrets and sweep
JW
J.R. WardThe Black Dagger Brotherhood SeriesNamed comp; signals appetite for paranormal romance with heat and ensemble casts
GH
Grady HendrixHow to Sell a Haunted HouseNamed comp; signals taste for accessible, character-driven horror
RY
Rachel YoderNightbitchNamed comp; feminist literary horror with rage and dark transformation
LG
Laurie GelmanFilthy Rich VampireNamed comp; genre romance with humor and sharp commercial instincts
AR
Alison RumfittPatricia Wants to CuddleNamed comp; feminist horror with genre subversion
L(
Liana De la Rosa / Julia Quinn (contextual)The Wedding PeopleNamed comp; contemporary romance with big emotional stakes
KM
Karen McManusBlack SheepNamed YA comp; dark, twisty ensemble mystery
AT
Angie ThomasThe Hate U GivePersonal favorite; confirms taste for socially resonant YA with BIPOC protagonists
SK
Stephen KingItPersonal favorite; confirms deep affinity for horror at full scope and emotional weight
CM
Casey McQuistonRed, White & Royal BluePersonal favorite; signals appetite for queer romance with humor and heart
VS
V. E. SchwabThe Invisible Life of Addie LaRuePersonal favorite; taste for atmospheric, character-driven speculative fiction
KL
Kim LiggettThe Grace YearPersonal favorite; feminist dystopian YA with social critique
CN
Celeste NgLittle Fires EverywhereNamed touchstone; upmarket women's fiction with race, class, and family at its center
KC
Kirstin ChenCounterfeitNamed touchstone; sharp, twisty commercial fiction with BIPOC lead
FC
Frances ChaIf I Had Your FaceNamed touchstone; women's fiction with cultural specificity and ensemble female voices
R(
Rumaan Alam (contextual)Good DirtNamed touchstone; signals interest in atmospheric, culturally rooted upmarket fiction
KS
Karen StrongDeep EndNamed YA touchstone
NH
Naomi Booth / Zakiya Dalila HarrisThe Other Black GirlNamed touchstone; workplace thriller/spec fiction with racial and feminist subtext
K(
Kate Mulgrew / Anne Helen Petersen (contextual)When Women Were DragonsNamed touchstone; feminist speculative fiction with historical backdrop
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Taste fingerprint

the threads that run through Amy's taste
feminist horrorLatinx & BIPOC voicesdark romance with consentgothic & Southern Gothicunreliable narratorsmessy womenown voicesemotional gut-punchesparanormal romancesocially conscious speculative fiction
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How to query Amy

7 ways in Through an online submission form
1

Include a query letter, synopsis, and the first 10 pages of your manuscript—this is a firm requirement, not a suggestion; missing any element is grounds for a pass.

2

Lead your query with a clear genre label and comparative titles: she processes a wide range, and a crisp genre signal (e.g., 'feminist Southern Gothic horror' or 'contemporary dark romance') will orient her immediately.

3

If your book features Latinx, BIPOC, or other marginalized voices and is drawn from your own experience, flag it explicitly—she has made this a stated priority, and burying that signal wastes your strongest card.

4

Her emotional bar is high: she says it's genuinely hard to make her laugh or cry, so your query letter should convey the emotional register of your story, not just its plot mechanics. Show the feel, not just the concept.

5

Avoid any element on her hard-stop list before querying—romantasy, fairy-tale retellings, previously self-published work, and heavy content around suicide, sexual abuse, or animal cruelty are non-starters no matter how strong the writing.

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For non-fiction, do not query without substantiating your platform and credentials in the letter itself; she will not infer them from your manuscript.

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She has used time-limited submission windows before; confirm the form is currently open before spending time on your materials.

Open the submission form
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Frequently asked

what writers ask about Amy
Is Amy Giuffrida open to queries right now?
She was observed open as of mid-April 2026. She has previously used limited submission windows (for example, a window that closed February 7, 2025), so you should verify the live form status before submitting—do not rely solely on this profile.
Does Amy Giuffrida represent romantasy?
No. She explicitly states she is not considering romantasy at this time, and this applies to both adult and YA submissions. Do not pitch romantasy to her.
What does Amy Giuffrida represent that she is best known for?
Her clearest lanes are adult romance (particularly paranormal, dark, historical, and contemporary—but not romantasy), adult horror and speculative fiction with feminist and cultural depth, women's fiction (upmarket, commercial, and book-club), and high-stakes YA. Her personal favorites and named touchstones consistently cluster in these areas.
Does Amy Giuffrida represent picture books or middle grade?
No. She is closed to ALL picture books and ALL middle grade. These are flat hard stops with no exceptions stated.
Will Amy Giuffrida consider memoir or biography?
Not at this time. She has explicitly stated she is not considering memoirs or biographies. She is open to other non-fiction categories (self-help, food/beverage, narrative, how-to, lifestyle), but only from authors with an established platform and credentials.
Which agency is Amy Giuffrida with?
She is an associate literary agent at Belcastro Agency, based in Southern California.
What makes a strong query for Amy Giuffrida?
A clean genre label, emotional specificity, and comp titles she would actually read. If your manuscript features Latinx, BIPOC, or marginalized own-voices content, lead with it. Make sure to include a query letter, synopsis, and the first 10 pages—all three are required.
Does Amy Giuffrida want diverse and own-voices stories?
Yes, and it is a stated priority rather than a nice-to-have. She specifically calls out Latinx and BIPOC voices, and her taste tags include LGBTQ+, Caribbean literature, and marginalized voices more broadly. If your story qualifies, name it plainly in your query.
What content will Amy Giuffrida automatically pass on?
Hard stops include: romantasy, fairy-tale retellings, pandemic/virus/military stories, screenplays, novellas, short story collections or anthologies, previously self-published work, and stories with heavy focus on religion, suicide, rape or sexual abuse, child abuse, or animal cruelty. Picture books and middle grade are also fully closed.
What TV shows and books does Amy Giuffrida love—and what does that signal for queries?
Her favorites span Buffy, Supernatural, Schitt's Creek, Yellowjackets, and reality TV like Married at First Sight. On the book side: It, The Hate U Give, Red White & Royal Blue, The Seven Husbands of Evelyn Hugo, and The Invisible Life of Addie LaRue. The pattern: she gravitates toward work that blends dark or genre-forward energy with deep emotional character work and ensemble dynamics. Stories that feel 'fandom-worthy'—the kind people obsess over—align well with her taste.