Annie Bomke is the founder of a boutique agency who specializes in upmarket, literary, and commercial adult fiction — especially horror, mysteries, and speculative fiction — alongside platform-driven prescriptive and narrative nonfiction, with a passionate commitment to diverse voices and #OwnVoices storytelling.
In brief
Currently CLOSED to queries as of March 5, 2026 — the closure notice on the live submission form is explicit and unambiguous; watch for a reopening announcement before submitting.
Fiction is the clear center of gravity: Annie gravitates toward upmarket and literary work, but has wide appetite from dark psychological horror to hilarious cozies — the common thread is strong character and emotional depth, not genre alone.
Speculative and horror fiction are high-priority, but with a meaningful gate: magical realism, fabulism, folk horror, and horror mashups are actively wanted; straight-up fantasy and science fiction are not.
Nonfiction requires a strong author platform — prescriptive (self-help, business, health) and narrative (memoir, current events, psychology) are both welcome, but platform is a non-negotiable qualifier, not a nice-to-have.
The agency describes itself as boutique and service-oriented, guiding authors from early development through foreign rights — suggesting a hands-on editorial relationship rather than a purely transactional one.
Lately
There's still time to sign up for the Pittsburgh Writing Workshop next weekend! I'll be taking pitch appts along with tons of other amazing agents! It's all online, so anyone can attend! pittsburghwritingworkshop.com
Looking forward to the Pittsburgh Writing Workshop next month! It's online, so writers from all locations can pitch their books to agents from the convenience of their own home. Sign up now! pittsburghwritingworkshop.com
Please note, I am currently closed to queries. Any queries received during this period will go unread. I'll remove this notice when I reopen. Thanks everyone!
I'll be closing to queries on March 5th. That means I'll take queries through 11:59pm on March 4th. Thanks everyone!
You lovely writers are so prolific that I will probably be closing to queries soon. In the past day, I've gone from getting maybe 10-15 queries a day to maybe 150-200. I try to close once I hit around 800 queries, and I'm at 540 now.
Annie posted an unambiguous closure notice stating that the query inbox is not being read during this period and that the notice will come down when things reopen — no timeline given.
What Annie is looking for
This is Annie's stated home territory. The work should lean literary or sit at the upmarket-commercial crossroads, with rich emotional interiority and strong character as the non-negotiables. Accessible literary fiction, high-concept literary commercial fiction, and book-club-oriented work are all welcome. Applies to both adult and YA submissions.
Horror is clearly a major focus. Annie is specifically drawn to literary horror, psychological horror, folk horror, and genre-blending combinations — horror-mystery, horror-historical, horror-comedy, horror-romance, and horror-western hybrids are all on the table. BIPOC horror, feminist horror, Gothic horror, and AAPI horror are called out by name. The unifying thread is character-driven, emotionally resonant darkness rather than pure shock or splatter.
Annie expresses enthusiasm for the full tonal spectrum of the mystery genre: laugh-out-loud cozies (including amateur-sleuth subgenres), dark literary suspense, psychological thrillers, and locked-room puzzles. Literary noir, BIPOC mystery, and crime fiction with a strong voice are all flagged as desirable. The appetite here is broad, so the differentiator is execution — voice, character, and originality of setup.
Annie wants speculative fiction that operates at the edges of realism — magical realism, fabulism, surrealism, and what Annie calls 'grounded' speculative fiction. Myth and folklore retellings, especially those centered on diverse or underrepresented characters, are actively sought. IMPORTANT GATE: straight-up fantasy and science fiction are explicitly outside Annie's list — the speculative must be grounded or literary in approach, not epic/secondary-world or hard SF.
Contemporary literary and commercial fiction is welcome, as is historical fiction set in the 19th and 20th centuries. Annie has a stated preference for historical work centered on diverse characters. Classic retellings featuring BIPOC protagonists are a specific callout, as are immigrant experiences, African diaspora narratives, Asian American and Latinx diaspora stories.
Annie represents YA on a selective basis alongside the primarily adult fiction list. Literary YA, contemporary YA, LGBTQ YA, and YA with the same dark/speculative/humorous qualities Annie values in adult fiction are all potentially of interest. All fiction wishlist criteria — strong character, emotional depth, diverse voices — apply equally to YA submissions.
Annie seeks prescriptive nonfiction across business, self-help, health, and wellness — but a demonstrable author platform is a hard requirement, not optional. Behavioral economics titles in the vein of accessibly written pop-psychology crossovers are specifically called out as touchstones. DIY/crafts and lifestyle are also listed among Annie's nonfiction categories.
On the narrative side, Annie is drawn to memoir, hybrid memoirs, current-events-driven books, and psychology. Pop-science narratives that explore the natural history of something universal — weather, plants, animals — are a named interest, as are books probing the mind-body connection and emotion-biology interface. American cultural studies with long shelf life are wanted: race, gender, Islamophobia, white extremism, rape culture, the dark side of social media, and similar topics that will remain relevant beyond their publication year. Platform is still required.
Not the right fit
On Annie's list
Taste fingerprint
How to query Annie
Annie is CLOSED as of March 5, 2026 — do not query until the closure notice is removed from the live submission form; any email sent during closure will go unread per Annie's own statement.
For fiction: paste a query letter, synopsis, and the first 20 pages directly in the body of the email — do not send attachments; the submission address is submissions@abliterary.com.
For nonfiction: paste a query letter and full proposal in the body of the email; platform credentials should be prominent and specific (numbers, reach, media presence).
Annie's wishlist is unusually specific — if your project genuinely matches one of the called-out micro-interests (dancing plague of 1518, doppelgangers, creepy dolls, Twin Peaks energy, evil children), name that connection explicitly near the top of your query letter.
The horror-mashup category is a real differentiator: if your book is, say, a horror-western or a horror-mystery, lean into that framing rather than picking just one genre — Annie has specifically called out hybrid horror as desirable.
Straight-up fantasy and sci-fi are a firm no; if your speculative project could be described that way, reframe it around what makes it grounded, fabulist, or surrealist before querying — or reconsider whether Annie is the right fit.
Diverse and #OwnVoices projects are an active editorial priority; if your background and lived experience are relevant to the story, it is appropriate (and likely welcomed) to mention this in your query letter.
Do not query poetry or children's/middle-grade projects — these are explicitly outside the agency's scope.