A genre-spanning agent at a children's-and-adult house who builds across picture books, middle grade, YA, and adult fiction and nonfiction — chasing voice-driven, high-concept work with a speculative streak and a clear commitment to underrepresented voices.

Synthesized from 5 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

One of the widest-ranging lists you'll find: Farkas actively acquires from picture books up through adult fiction and narrative nonfiction, so the gate is fit and execution, not category.

02

Across everything, the throughline is exemplary, voice-driven writing with a strong hook — often with a speculative or fabulist twist, even in otherwise grounded stories.

03

Their recent deals confirm real breadth: a picture book, upmarket adult fantasy, historical fiction, and YA all sold in a single 2025 stretch.

04

Diverse and historically underrepresented voices are a stated priority in every category.

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Currently closed but recovering from a busy book-fair season and reading queries, with a reopening flagged as coming 'soon-ish' — time your submission accordingly.

02

Lately

most recent public notes

Posted that they were finally catching their breath after a very busy book-fair season, working through queries, and hoping to reopen 'soon-ish.'

April 2026 · 2mo ago
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What Sam is looking for

organized from the wishlist, interviews, and listings
Adult Fiction — upmarket & speculativeActively seeking

A core focus. Farkas wants upmarket fiction with irresistible writing and a strong hook regardless of genre, with named appetites for lyrical, immersive fantasy with book-club appeal; fun fantasy that doesn't take itself too seriously; literary fiction with a fabulist or speculative bent; high-concept upmarket fiction; truly swoony 'romantasy' with crisp, tight writing; and historical fiction in particular.

Adult Thriller, Suspense & HorrorActively seeking

Female-centric, twisty, edge-of-your-seat suspense; fast-paced thrillers with a light speculative element; and haunting, atmospheric horror that carries incisive social commentary. The common thread is propulsive pacing plus a hook that's hard to put down.

Adult — retellings, weird & LitRPGOpen to

Retellings of under-served myths and legends (fairytales and non-Western stories yes; probably not Greek-myth retellings); 'weird' fiction that leans into the strange; and LitRPG, where Farkas is an enthusiastic fan and especially welcomes work that pays homage to beloved games and franchises.

Adult Nonfiction — narrative & culturalOpen to

Immersive narrative history that reads like a novel; food-and-beverage writing, especially memoir (not cookbooks); millennial/Gen-Z-minded self-help around connection and post-isolation life; cultural history and analysis (especially film and TV); timely essay collections; and beautifully written deep-dive pop science.

Middle Grade — all genresOpen to

Bold, out-of-the-box MG that surprises. Particular pulls: contemporary that makes them laugh or cry (ideally both), contemporary with a light speculative element, stories about kids seeing adults as flawed, heavily illustrated humor, transportive fantasy, funny real-world adventures, mysteries, multi-timeline structures, LitRPG, puzzle/code-driven stories, and 'classic-feeling' MG built to last.

Young Adult — all genresOpen to

Again, the standout and surprising. Named loves: fun, fast-paced high-stakes fantasy that refreshes beloved tropes; weird, unexpected books; voice-driven contemporary that doesn't dodge hard subjects; tightly plotted thrillers and mysteries; and atmospheric horror.

Picture BooksSelective

A narrower door — select picture books with lots of kid appeal. Their recent picture-book sales show this is an active, not nominal, part of the list.

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Not the right fit

save yourself the rejection
Greek-myth retellings specifically (other myths, legends, and fairytales are welcome)
Cookbooks (food-and-beverage narrative and memoir are the lane, not recipe collections)
Work that leans on a hook or concept without the voice and writing to carry it
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Threads through Sam's deals

not the pitch — what the deals actually reveal
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A genuinely cross-category list

The deal record is unusually broad for a single agent: in one 2025 window Farkas placed picture books, an upmarket adult fantasy, a historical novel, and YA. This backs up the stated 'all categories' positioning with actual sales rather than aspiration — they really do work top to bottom of the age range.

02
Speculative and historical pulls show up in what sells

The adult sales cluster around the speculative-meets-upmarket fantasy and historical fiction that the wishlist emphasizes — a sign the stated taste is real and bankable, not just a list of comps. If your project sits in immersive fantasy or richly textured historical, you're hitting a proven lane.

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Established children's-book houses

Their children's deals land at recognizable imprints — Disney, Chronicle, Bloomsbury, Peachtree Teen — indicating real traction for picture books and YA at major children's publishers despite picture books being framed as 'select.'

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On Sam's list

authors and titles represented
AE
Andrea EamesA Harvest of HeartsAdult fantasy
AK
Amy S. KaufmanThe Traitor of Sherwood ForestHistorical fiction
BJ
Briana JohnsonIf I Could Go BackYA
LS
Leah StecherA Field Guide to Broken PromisesChildren's
BF
Bex Tobin FineYou Are HomePicture book
CG
Charlotte GunnufsonHard Hat Hank and the Sky-High SolutionPicture book
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Taste fingerprint

the threads that run through Sam's taste
Voice-drivenUpmarket fictionImmersive fantasySpeculative twistHistorical fictionRomantasyAtmospheric horrorLitRPGNarrative nonfictionUnderrepresented voices
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How to query Sam

6 ways in By email to the agency's general submissions address, addressed to Sam Farkas
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Lead with voice and a strong, clear hook — that's the constant across every category they take.

2

Format the subject line as the agency specifies: QUERY, your title and name, the age group and genre, and 'ATTN: Sam Farkas.' Attach materials as a .docx.

3

Name the category honestly; their list runs from picture books to adult, so fit and execution matter more than genre.

4

A speculative or fabulist angle is a plus even in otherwise grounded fiction — it's a recurring thread in what they seek and sell.

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Diverse and underrepresented voices are an explicit priority across the board.

6

They were closed but reading and signaling a reopening — check the agency site for the current window before you send.

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Frequently asked

what writers ask about Sam
Is Sam Farkas open to queries?
Not at the moment — they were closed as of early April 2026 while catching up on queries after book-fair season, but they signaled a reopening 'soon-ish.' Check the agency site for the current window before submitting.
What does Sam Farkas represent?
An exceptionally wide range: adult fiction (upmarket, fantasy, historical, thriller, suspense, horror, romantasy, LitRPG) and adult narrative nonfiction, plus middle grade and YA across genres and select picture books — all anchored by voice-driven writing and a strong hook.
What is Sam Farkas NOT looking for?
Greek-myth retellings specifically, cookbooks (versus food-and-beverage narrative writing), and concept-led work that isn't carried by its voice and prose.
Who does Sam Farkas represent?
Recent clients include Andrea Eames (A Harvest of Hearts), Amy S. Kaufman (The Traitor of Sherwood Forest), Briana Johnson (If I Could Go Back), Leah Stecher, Bex Tobin Fine, and Charlotte Gunnufson — spanning adult, YA, children's, and picture books.
Which agency is Sam Farkas with?
Jill Grinberg Literary Management, based in New York City, where Farkas is also a Subsidiary Rights Associate.