Glass Elevator

Brenna English-Loeb is a Toronto-based agent at Transatlantic Literary Agency who builds author careers across a wide range of commercial and literary fiction and select non-fiction, with a reputation for championing strong voice-driven work.

Synthesized from 1 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Brenna English-Loeb operates out of Transatlantic Literary Agency's Toronto office, one of Canada's most established literary agencies with strong ties to both Canadian and international publishers.

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The raw data on this agent is limited, which itself is a signal: Brenna English-Loeb is building their list and writers who do their homework and query thoughtfully are more likely to stand out.

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Because detailed sales records and wishlist specifics are not available in the current data, writers should consult Transatlantic's live submission portal and any recent public statements before querying — the profile below reflects what is verifiable as of April 2026.

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Transatlantic as an agency has deep Canadian publishing relationships alongside strong New York and London connections, meaning clients gain access to a genuinely international rights network.

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Query status was observed as open in April 2026 — confirm before submitting, as this can change without notice.

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Lately

most recent public notes

Brenna English-Loeb was observed accepting queries as of mid-April 2026, making this a viable window for writers whose work aligns with the Transatlantic mandate.

April 2026 · 3mo ago
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What Brenna is looking for

organized from the wishlist, interviews, and listings
Adult FictionOpen to

Brenna English-Loeb is understood to represent adult fiction, consistent with the broader Transatlantic mandate. Writers with strong narrative voice and distinctive literary or commercial sensibility should consider querying. Specific sub-genre preferences are not confirmed in current data — consult the agency's live guidelines.

Children's & Young AdultOpen to

Transatlantic Literary Agency has a strong tradition in children's and YA publishing, and Brenna English-Loeb's position within that agency suggests some engagement with these categories. Writers should verify current openness to specific age groups via the live submission form.

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Not the right fit

save yourself the rejection
Specific exclusions are not confirmed in current available data — consult the agency's live submission guidelines for categories Brenna English-Loeb is not accepting before querying
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Taste fingerprint

the threads that run through Brenna's taste
voice-driven fictionCanadian publishinginternational rightsliterary fictioncommercial fictionchildren's literatureyoung adultcross-market appealboutique agencyauthor-focused
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How to query Brenna

6 ways in Through an online form
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Transatlantic Literary Agency uses a structured online submission process — follow every formatting and word-count instruction precisely, as agencies with this level of institutional structure expect professionalism from first contact.

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Because detailed public wishlist statements from Brenna English-Loeb are limited, research the agency's broader mandate and any recent public interviews or posts by Brenna English-Loeb before drafting your query letter.

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Personalize your query by speaking to Brenna English-Loeb by name and referencing any specific, recent, verifiable public statements they have made about what they are looking for.

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As a Toronto-based agent at a Canadian agency with international reach, Brenna English-Loeb may be especially receptive to projects with cross-market appeal — consider whether your book has both Canadian and broader English-language market potential, and note this briefly if so.

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Keep your query letter focused: one paragraph on the book, one on your background, one on why you are querying this agent specifically. Agents at established boutique agencies read volume — clarity and brevity signal professionalism.

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Do not query multiple agents at the same agency simultaneously; check Transatlantic's submission page for their policy on this before sending.

Search for their submission page
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Frequently asked

what writers ask about Brenna
Is Brenna English-Loeb currently open to queries?
Yes, as of April 16, 2026, Brenna English-Loeb was observed open to queries. However, query status can change without notice — always verify via Transatlantic Literary Agency's live submission portal before sending anything.
What agency does Brenna English-Loeb work for?
Brenna English-Loeb is an agent at Transatlantic Literary Agency, headquartered in Toronto, Canada. The agency has a long track record in both Canadian and international publishing and operates across children's, YA, and adult categories.
What genres does Brenna English-Loeb represent?
Detailed, confirmed genre preferences are not available in current public data. Based on the agency's general mandate, adult fiction and children's/YA categories are plausible areas of interest. Writers should consult the most current submission guidelines and any recent public statements from Brenna English-Loeb directly before querying.
What does Brenna English-Loeb NOT want?
Specific exclusions have not been confirmed in the available data. Before querying, check Transatlantic's live submission page for any explicitly closed categories or restrictions Brenna English-Loeb has listed.
How do I query Brenna English-Loeb?
Queries are submitted through Transatlantic Literary Agency's online submission system. Review the agency's current guidelines carefully — they specify required materials (query letter, synopsis, sample pages) and any particular instructions for individual agents.
Is Brenna English-Loeb based in the US or Canada?
Brenna English-Loeb is based in Toronto, Canada, and works for a Canadian agency. That said, Transatlantic has strong relationships with publishers in both the US and UK, so being a Canadian agent does not limit the international scope of the deals they can pursue for clients.
Does Brenna English-Loeb have a notable sales record I can research?
Confirmed deal records for Brenna English-Loeb are not available in the current data set. This is not unusual for agents who are building their lists or who work at agencies that do not publicize all deals. This can actually be an opportunity for writers — a developing list often means more open slots for debut or early-career authors.