Glass Elevator

Brent Howard is a Gramercy Literary agent building a focused list anchored in high-stakes, intellectually rigorous narrative nonfiction with broad cultural resonance.

Synthesized from 1 independent signals · last reviewed June 2026
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In brief

the 30-second read
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The clearest signal in the available record is Brent Howard's emphatic, recent public push for ambitious narrative nonfiction — projects that combine scholarly rigor with propulsive storytelling and wide cultural impact.

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The touchstone titles named (Say Nothing, The Wager, The Splendid and the Vile, The Warmth of Other Suns, SPQR) span true crime, military history, social history, and classical history — suggesting Howard's appetite crosses subgenres as long as the writing and research are exceptional.

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Howard describes themselves as 'actively building' in this space, which is a meaningful phrase: it signals they are not merely open to the category but are making it a deliberate priority and have room for new clients.

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Beyond narrative nonfiction, the current record does not supply confirmed deal data or a broader stated wishlist, so writers in other categories should verify directly before querying.

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Query status was observed as open in April 2026 and reaffirmed by an active public wishlist post in May 2026 — both recent signals, but always confirm the live form before submitting.

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Lately

most recent public notes

Wish list time: I’m actively building a list of ambitious narrative nonfiction—and I’m looking for projects with the intellectual rigor, narrative force, and the cultural reach of Say Nothing, The Wager, The Splendid and the Vile, The Warmth of Other Suns, and SPQR, etc. #MSWL

WishlistBluesky· May 2026Fresh

Howard posted an explicit wishlist statement emphasizing a desire to grow a narrative nonfiction list defined by intellectual rigor, storytelling power, and broad cultural impact, citing landmark works in history and social history as the benchmark for the kinds of projects being sought.

May 2026 · 2mo ago
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What Brent is looking for

organized from the wishlist, interviews, and listings
Narrative NonfictionActively seeking

Howard is deliberately and actively building in this space and wants projects that hit on all three cylinders: intellectual rigor (deep, credible research), narrative force (the pacing and structure of great storytelling), and cultural reach (a subject that resonates far beyond a niche audience). The touchstones named skew toward history — political violence, military drama, social history, classical antiquity — but the unifying quality is the ambition to make serious nonfiction feel as propulsive as a thriller.

CompsSay Nothing by Patrick Radden KeefeThe Wager by David GrannThe Splendid and the Vile by Erik LarsonThe Warmth of Other Suns by Isabel WilkersonSPQR by Mary Beard
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Not the right fit

save yourself the rejection
The current record does not supply a formal exclusions list — writers outside narrative nonfiction should check Howard's agency page and submission guidelines for the current full picture before querying
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Taste fingerprint

the threads that run through Brent's taste
narrative nonfictionhistorysocial historypolitical historymilitary historyclassical historylong-form journalismcultural historyresearch-drivenhigh-concept nonfiction
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How to query Brent

6 ways in Through an online form
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Open your query letter by naming the cultural or historical stakes of your book — Howard's wishlist language ('cultural reach') suggests they want to immediately understand why this story matters to a broad audience, not just specialists.

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The phrase 'intellectual rigor' is key: signal your research credentials or access early. A brief note on primary sources, archival access, or relevant expertise will resonate.

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Narrative force is the third pillar — your sample pages need to demonstrate propulsive, compelling prose, not academic writing. If your first chapter reads like a journal article, revise before submitting.

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Use the touchstone titles strategically: if your book shares DNA with one of Howard's named comps (Keefe, Grann, Larson, Wilkerson, Beard), say so in one sentence and explain specifically why — not just genre, but structure, tone, or scope.

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Howard says they are 'actively building' this list, which is an invitation — lead with confidence that your project fits, and don't bury the lede with excessive backstory about yourself.

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Verify the submission form requirements at Gramercy Literary's website immediately before querying, as guidelines can change.

Open the submission form
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Frequently asked

what writers ask about Brent
Is Brent Howard open to queries?
Yes, as of May 5, 2026 — an active public wishlist post confirms Howard is seeking new projects. Always verify on Gramercy Literary's live submission form before sending, as status can change.
What agency does Brent Howard work at?
Gramercy Literary.
What does Brent Howard represent?
The clearest current priority is ambitious narrative nonfiction — specifically projects with serious research, strong narrative drive, and broad cultural relevance. Historical nonfiction across multiple eras and geographies fits the stated taste.
What does Brent Howard NOT want?
No explicit exclusions list is available in the current record. Writers with fiction, memoir, or other categories should check Howard's agency page directly for the most current submission guidelines.
What kinds of narrative nonfiction does Brent Howard want specifically?
Based on the named touchstones, Howard is drawn to narrative nonfiction that tackles large historical or social subjects — political violence, war, migration, empire, classical history — with the research depth of scholarship and the readability of literary journalism. The common thread is ambition: these are books that change how readers understand a moment, a people, or an era.
Is Brent Howard interested in memoir or personal narrative?
The current record does not address memoir explicitly. Howard's stated focus is on narrative nonfiction with broad cultural reach and intellectual rigor, which typically implies reported or researched nonfiction rather than personal narrative — but writers should verify directly.
Does Brent Howard represent fiction?
Fiction is not mentioned in any available statement from Howard. The current record is focused entirely on narrative nonfiction. Check Gramercy Literary's submission page for any fiction categories.
Which publishers does Brent Howard have relationships with?
No confirmed deal record is available in the current public data, so publisher relationships cannot be responsibly stated at this time.