Glass Elevator

Claudia Stepien is an Associate Acquisitions Editor at Globe Pequot's family of regional imprints, hunting for US-rooted nonfiction that sits at the intersection of place, culture, and adventure — from foraging guides and food crawls to paranormal local history and outdoor narratives.

Synthesized from 1 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Claudia Stepien edits for three imprints under one roof — Falcon Guides (outdoor/adventure), Globe Pequot (travel, food, regional nonfiction), and Down East Books (New England regional) — meaning a single proposal can travel internally if it's not quite right for one imprint.

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The wishlist comps reveal a clear taste pattern: books that are simultaneously place-specific and culturally immersive, whether that's a haunted road atlas, a regional music venue oral history, or a foraging cookbook rooted in a particular landscape.

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Stepien is not a literary agent — they are an in-house acquisitions editor at a trade nonfiction publisher. Writers should submit a formal book proposal, not a query letter with a manuscript.

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The New England geographic thread (Down East Books' core territory) and the paranormal/true crime regional thread suggest projects with a strong northeastern US sense of place may land especially well, though the broader remit is nationwide US regional.

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Query status is unverified — confirm submission availability directly before sending a proposal.

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Lately

most recent public notes

Stepien's named touchstones span a revealing range: a haunted road atlas, a Bay State true crime title, a New Haven music venue oral history, and an irreverent global travel guide — all united by strong voice, sense of place, and cultural specificity rather than any single genre.

January 2024 · 2y ago
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What Claudia is looking for

organized from the wishlist, interviews, and listings
Foraging & Wild FoodActively seeking

Foraging titles in any form — field guide, cookbook, narrative, how-to, or hybrid — that bring a distinct angle or regional specificity. The format matters less than the freshness of the concept; a pure guide and a foraged-ingredient cookbook are equally welcome.

CompsForage. Gather. Feast. by Maria FinnThe Cottagecore Baking Book by Kayla Lobermeier
Outdoor Adventure (Narrative & Guides)Actively seeking

Both practical adventure guides and first-person narratives of extraordinary outdoor experiences. Projects should have a strong sense of place and be rooted in real, specific geography — not generic adventure writing.

Travel BooksActively seeking

Well-researched travel titles that go beyond surface-level tourism — books that embed readers in local culture, are conscious of community impact, and feel like a knowledgeable local is guiding the reader. Irreverent, opinionated voices are welcome.

CompsWorld Travel: An Irreverent Guide by Anthony Bourdain and Laurie WooleverWanderlust: A Traveler's Guide to the Globe by MoonThe Portland Book of Dates by Eden Dawn
CookbooksActively seeking

Cookbooks with a genuinely distinctive concept — either a unique ingredient focus, a tight regional identity, or a cultural angle that makes the title stand apart in a crowded market. Derivative or broadly 'seasonal' concepts without differentiation are unlikely to appeal.

CompsThe Cottagecore Baking Book by Kayla Lobermeier
Food & Culinary ExplorationActively seeking

Restaurant guides, food crawl books, and culinary-cultural explorations that blend eating with place and identity. Think less 'best restaurants in the city' listicle and more immersive journey through a food culture.

Regional History & FolkloreActively seeking

Niche local and regional history titles, especially those exploring folklore, myths, legends, and the offbeat stories that don't make it into mainstream histories. A storytelling voice that makes deep-cut history accessible to general audiences is key.

CompsThe Legendary Toad's Place by Brian Phelps and Randall Beach
Paranormal & True Crime (Regional)Actively seeking

Paranormal investigations, haunted-place guides, and true crime titles anchored to a specific region or locale. The emphasis is on gripping, well-researched storytelling about real places — not generic national crime retrospectives.

CompsA Haunted Road Atlas by Christine Schiefer and Em SchulzMass Murders: Bloodstained Crime Scenes Haunting the Bay State by Sam Baltrusis
Nonfiction Narrative (General Audience)Open to

Narrative nonfiction about singular, unprecedented experiences that resonate broadly — not category-driven but story-driven. Must have a strong hook that speaks to readers outside a niche community.

Children's Nonfiction & Nonfiction Picture BooksSelective

Listed among stated sub-genre interests, but no specific wishlist language or comps are attached to this category. Approach with caution and verify current interest before submitting — the core focus is clearly adult nonfiction.

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Not the right fit

save yourself the rejection
Fiction of any kind
Literary fiction or genre fiction (no novels, short story collections, etc.)
Poetry
Memoir or biography without a strong US regional or place-based hook
Self-help or prescriptive wellness without a regional/outdoor/food angle
Children's picture books from author-only submitters (nonfiction picture books are listed as an interest but verify scope)
International travel books without a US regional dimension (the imprints are US-regional focused)
Generic, non-place-specific cookbooks
Materials submitted on CD or USB drive (explicitly rejected)
Full manuscripts in lieu of a proposal
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On Claudia's list

authors and titles represented
SB
Sam BaltrusisMass Murders: Bloodstained Crime Scenes Haunting the Bay StateRegional true crime; named as a direct comp — signals confirmed taste for New England paranormal/crime nonfiction.
BB
Brian Phelps and Randall BeachThe Legendary Toad's Place: Stories from New Haven's Famed Music VenueRegional oral history/cultural nonfiction; named as comp — signals interest in hyper-local cultural history with broad reader appeal.
KL
Kayla LobermeierThe Cottagecore Baking BookNiche-concept cookbook; named as a target comp — confirms appetite for cookbooks with strong aesthetic/cultural identity.
MF
Maria FinnForage. Gather. Feast.Foraging-focused food book; named as a direct comp — primary signal for the foraging category interest.
CS
Christine Schiefer and Em SchulzA Haunted Road Atlas: Sinister Stops, Dangerous Destinations, and True Crime TalesParanormal/true crime travel hybrid; named as a top comp — confirms the road-trip-meets-haunted-history format as a target.
AW
Anthony Bourdain and Laurie WooleverWorld Travel: An Irreverent GuideVoice-driven travel guide with cultural depth; named as comp — signals that opinionated, personality-forward travel writing is welcome.
ED
Eden DawnThe Portland Book of Dates: Adventures, Escapes, and Secret SpotsCity-specific experiential travel/date guide; named as comp — confirms interest in hyper-local, activity-focused travel formats.
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Taste fingerprint

the threads that run through Claudia's taste
US regional nonfictionforagingoutdoor adventureplace-based travelparanormal & hauntedtrue crime regionalcookbooks with conceptfood & culinary culturelocal folklore & historyNew England focus
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How to query Claudia

8 ways in By email
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Submit to cstepien@globepequot.com — this is a direct editorial email, not a literary agency query; send a full book proposal, not a query letter.

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Your proposal must include four components: a book description, a table of contents with a sample chapter (plus sample images if relevant), a platform/promotion overview, and a market analysis with competitive titles.

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The market analysis is load-bearing — Stepien's imprints compete in a crowded regional nonfiction space, so be precise about who will buy your book, why now, and which current titles you are up against.

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Lead with place: almost every comp title is anchored to a specific geography. Make your book's regional identity unmistakable from the first line of your description.

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Do not submit to multiple editors at Globe Pequot simultaneously — proposals are forwarded internally if they're a better fit for a different editor or imprint, so one submission covers all three imprints.

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Allow a full three months before following up, and make sure your email address is visible in the proposal itself, not just the email header.

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Never attach files to a CD or USB drive — these are discarded without review. Email attachments or clearly organized inline text are the right approach.

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If your project sits at the intersection of two of Stepien's categories (e.g., a foraging guide with a paranormal regional history thread, or a true crime title structured as a travel guide), lean into that hybrid quality — the comp titles suggest cross-category concepts are a strength, not a liability.

Search for their submission page
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Frequently asked

what writers ask about Claudia
Is Claudia Stepien a literary agent?
No. Stepien is an Associate Acquisitions Editor at Globe Pequot Press, working across the Falcon Guides, Globe Pequot, and Down East Books imprints. Writers submit book proposals directly to the publisher — no literary agent is required or involved in the submission process.
What does Claudia Stepien represent or acquire?
Stepien acquires US-regional nonfiction exclusively, with a focus on foraging, outdoor adventure, travel, cookbooks, culinary exploration, regional history and folklore, and paranormal or true crime titles rooted in a specific place.
Is Claudia Stepien currently open to submissions?
The current submission status is unverified. Email submissions are directed to cstepien@globepequot.com, but writers should confirm availability before sending. The stated response window is approximately three months.
Which imprint at Globe Pequot would my regional New England book fall under?
Down East Books is the New England-focused imprint in Stepien's portfolio and is the most likely home for strongly New England-rooted projects. Globe Pequot handles broader US regional travel and nonfiction, while Falcon Guides focuses on outdoor adventure and recreation. Stepien edits for all three, and proposals are forwarded internally if a different imprint is a better fit.
Does Claudia Stepien acquire fiction?
No. The focus is entirely on nonfiction. There is no indication of interest in novels, short fiction, or any fiction category.
What does Claudia Stepien NOT want?
Fiction of any kind, generic non-place-specific titles, international travel without a US regional dimension, and full manuscripts in lieu of proposals. Submissions on physical media (CDs, USB drives) are explicitly discarded.
Do I need a literary agent to submit to Claudia Stepien?
No. Globe Pequot Press accepts unagented submissions directly. Writers submit a full book proposal by email.
What should a proposal to Claudia Stepien include?
Four elements are required: (1) a description of the book; (2) a table of contents, a sample chapter, and sample photos or artwork if relevant; (3) an overview of your platform, credentials, and how you plan to promote the book; and (4) a market analysis covering your target readership, the timeliness of the project, and a list of competitive titles currently in print.
Is Claudia Stepien interested in children's books?
Children's nonfiction and nonfiction picture books appear in Stepien's listed sub-genre interests, but no specific wishlist language, comp titles, or emphasis is attached to those categories. The clear editorial focus is adult nonfiction. Writers with children's nonfiction projects should verify current interest directly before submitting.
What kind of cookbooks does Claudia Stepien want?
Cookbooks with a genuinely distinctive concept — a unique ingredient focus (such as foraged foods), a tight regional or cultural identity, or an aesthetic angle that makes the title clearly stand apart from what's already on shelves. Broadly seasonal or derivative cookbooks without a strong differentiating hook are unlikely to appeal.