Glass Elevator

Jess Regel is a 22-year publishing veteran and founder of Helm Literary who hunts for compulsive, conversation-starting fiction — from voice-driven contemporary to genre-bending literary — across adult, YA, and children's categories, with a passionate commitment to historically excluded writers.

Synthesized from 2 independent signals · last reviewed June 2026
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In brief

the 30-second read
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Jess Regel spent a decade at Jean V. Naggar Literary Agency mastering every department — royalties, contracts, audio, foreign, film, and domestic — before building a commercial list at Foundry Literary + Media and eventually founding Helm Literary, giving them unusual operational depth compared to most agents.

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The recurring language across Regel's wishlist is 'compulsive, contagious, and creative' — writers should treat that as a literal filter: if a book doesn't have an urgent read-in-one-sitting quality, it's not the right fit regardless of genre.

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Regel explicitly bridges the literary-commercial divide, meaning purely commercial genre work without strong prose and purely experimental literary work without commercial hooks are both likely to miss the mark.

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A stated priority is discovering writers from historically excluded backgrounds — this is framed as a founding value of Helm Literary, not a passing note, so diverse voices across any category Regel represents should feel explicitly invited.

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The agency homepage (helmliterary.com) is Regel's own suggested first stop for gauging fit — reviewing the client roster there before querying is not optional advice, it's Regel's own instruction.

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Lately

most recent public notes

Regel describes the ideal submission as a book that bridges the literary-commercial divide — high concept paired with beautiful writing — and specifically calls out 'conversation starters' as a recurring priority across all age categories.

January 2025 · 1y ago
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What Jess is looking for

organized from the wishlist, interviews, and listings
Adult FictionActively seeking

Regel is drawn to fiction that operates at the intersection of literary ambition and commercial momentum — high-concept premises executed with beautiful prose. Priorities include genre-bending literary fiction, atmospheric magical realism, dark and psychologically twisty suspense, and charming, stylized love stories. The through-line is a distinctive narrative voice and a perspective that reframes how readers see the world.

Young Adult FictionActively seeking

YA is a core pillar of Regel's list. The same standards apply as in adult: voice-driven storytelling, coming-of-age journeys told from unique vantage points, and work that can spark wider cultural conversation. Regel looks for YA that doesn't talk down to its audience and carries genuine literary weight alongside its commercial energy.

Children's FictionOpen to

Children's fiction rounds out Regel's three-category focus. The 'compulsive, contagious, creative' standard holds here too. Writers should check the Helm Literary homepage to assess whether their project's tone and ambition align with existing clients before querying in this category.

Voices from Historically Excluded WritersActively seeking

Across every category Regel represents, discovering writers who have historically lacked access to the publishing industry is a founding priority of Helm Literary. This is not a sub-genre but a lens applied to the entire list — writers from underrepresented backgrounds should consider this an active, standing invitation.

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Not the right fit

save yourself the rejection
Projects that are purely commercial genre exercises without strong, distinctive prose
Purely experimental literary work that lacks a compelling, high-concept hook or commercial readability
Work that does not fit the 'compulsive, contagious, creative' standard Regel applies across all categories
Nonfiction is listed as part of Helm's overall agency offerings, but Regel's personal wishlist emphasizes fiction — query with caution on nonfiction and review the Helm homepage first
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On Jess's list

authors and titles represented
VH
Various clients (see Helm Literary homepage)Regel's client roster spans adult, YA, and children's fiction and includes award-winning and bestselling authors built across tenures at Jean V. Naggar Literary Agency and Foundry Literary + Media. Specific current clients and titles are best confirmed via the live Helm Literary website.
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Taste fingerprint

the threads that run through Jess's taste
literary-commercial hybridvoice-drivencoming-of-agemagical realismdark suspensegenre-bendingconversation-starterhistorically excluded writershigh-conceptcompulsive reads
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How to query Jess

7 ways in By email or through an online form — check the Helm Literary website for the current, active submission portal
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Before writing a single line of your query, spend time on the Helm Literary homepage reviewing current clients — Regel explicitly names this as the best self-screening tool, and ignoring it signals you haven't done your homework.

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Lead with what makes your book a 'conversation starter.' Regel uses this phrase deliberately: what social, cultural, or emotional dialogue does your book enter or ignite? Name it plainly in your query.

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The literary-commercial divide is Regel's sweet spot — your query should demonstrate both the high-concept hook (one punchy, irresistible premise sentence) AND the quality of the prose (your sample pages must earn the literary half of that claim).

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Voice is everything. If your story could be told by any narrator in any style, it may not be ready. Regel is explicit about wanting characters whose perspective makes readers see the world differently — make that perspective unmistakable from page one.

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Writers from historically excluded backgrounds should query with confidence: this is a founding value of Helm Literary, not a quota. Mentioning your background in a query is appropriate and welcomed if relevant to the book.

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Do not pitch work that is purely genre-driven without a strong literary dimension, or purely literary without a compelling commercial hook — Regel's stated taste treats both extremes as mismatches.

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Regel has 22+ years in the industry across every rights department. Asking basic process questions in a query signals a lack of research; instead, demonstrate your understanding of where your book fits in the market.

Search for their submission page
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Frequently asked

what writers ask about Jess
Is Jess Regel currently open to queries?
Query status was not confirmed in available sources. Check the live submission page on the Helm Literary website directly — Regel's status can change, and an out-of-date answer here could cost you a submission.
What does Jess Regel represent?
Regel represents fiction across adult, young adult, and children's categories. Helm Literary as an agency also handles nonfiction, but Regel's personal wishlist focuses on fiction — confirm nonfiction interest via the agency site before querying.
What does 'bridges the literary-commercial divide' mean in practice for querying Regel?
It means your book needs to work on two levels simultaneously: a premise punchy and distinctive enough to be pitched in a sentence (the commercial hook), and prose and characterization that reward close reading (the literary dimension). A thriller with flat prose or a lyrical novel with no story engine are both likely to miss the mark.
Does Jess Regel want picture books?
The wishlist names 'children's fiction' broadly. Specific picture book interest is not confirmed — review the Helm Literary homepage for clarity, as the client roster will signal whether picture books are actively sought.
Does Regel want fantasy or speculative fiction?
Regel specifically calls out atmospheric magical realism and genre-bending literary fiction, suggesting speculative elements are welcome when they serve a literary-commercial hybrid. Straight genre fantasy without a strong literary dimension is less clearly a fit.
Which agency is Jess Regel at?
Jess Regel is the founder of Helm Literary, a full-service agency. Previously, Regel worked at Jean V. Naggar Literary Agency (2002–2013) and Foundry Literary + Media (2013 onward) before launching Helm.
What does Jess Regel NOT want?
Regel does not describe hard category exclusions in available sources, but the emphasis on literary-commercial hybrids, strong voice, and 'conversation starters' effectively rules out: purely plot-driven genre work without distinctive prose, overly experimental literary fiction without commercial accessibility, and anything that can't pass the 'compulsive, contagious, creative' test.
Is Regel interested in debut authors or only established writers?
Yes — discovering new writers is a core part of Regel's stated mission, especially writers from historically excluded backgrounds who have had less access to publishing. Debut writers should not hesitate to query.