Glass Elevator

Karen Tayleur is a Melbourne-based agent at Jacinta di Mase Management specializing in fiction, children's books, and picture books for the Australian market — currently closed to new queries.

Synthesized from 2 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Karen Tayleur operates out of Jacinta di Mase Management, a boutique Melbourne literary agency with a strong track record in Australian children's, YA, and adult fiction since 2004.

02

As of the most recent observation (May 2026), she is closed to unsolicited queries — writers should monitor the agency's submissions page before approaching.

03

The agency as a whole leans toward quality commercial fiction and books for children and young adults, with a clear investment in emerging Australian voices alongside established, award-winning clients.

04

Tayleur's listed categories — fiction, children's books, and picture books — align with the agency's core strengths, suggesting she works within a well-resourced network of publisher relationships in the Australian and international markets.

05

Because her individual deals and client roster are not separately documented in available records, writers should treat her agency colleagues' track records (strong CBCA recognition, Indie Book Awards wins) as a proxy for the calibre of work the broader team champions.

02

Lately

most recent public notes

The agency's public submissions page confirms the team is currently not accepting new queries, consistent with a closed-submissions period observed in mid-2026.

May 2026 · 1mo ago
03

What Karen is looking for

organized from the wishlist, interviews, and listings
Fiction (Adult)Open to

Commercial fiction with strong narrative drive and broad audience appeal. The agency's wider ethos favours work that engages and entertains while carrying genuine literary quality — likely a useful benchmark for pitching to Tayleur in this space.

Children's Books (Middle Grade & YA)Open to

Books for young readers across the middle-grade and YA spectrum. The agency has a demonstrated commitment to Australian children's literature and emerging voices in this space, suggesting an appetite for culturally grounded, emotionally resonant work.

Picture BooksSelective

Picture books are listed among her categories, though the agency's pattern suggests a preference for author-illustrators or projects with a strong visual concept. Writers without an illustration component should confirm current appetite before submitting.

04

Not the right fit

save yourself the rejection
Non-fiction (not listed among her categories — the agency's non-fiction appears to sit primarily with the lead agent)
Genre categories outside fiction and children's publishing (e.g. academic, textbook, or specialty non-trade works)
Unsolicited queries while submissions are closed
05

On Karen's list

authors and titles represented
KT
Karen TayleurIndividual deal records for Tayleur are not separately documented in available public sources; the entries below reflect agency-wide client signals that inform her taste environment.
DB
Danielle BinksThe Year the Maps ChangedAgency colleague; 2021 CBCA Notable Book — signals the agency's appetite for emotionally resonant Australian middle-grade.
DB
Danielle BinksThe Monster of Her AgeAgency colleague; winner of the YA category, 2022 Indie Book Awards — illustrates the agency's commercial YA credentials.
DB
Danielle BinksSix Summers of Tash and LeopoldAgency colleague; latest middle-grade release, taste signal for the agency's children's list.
CW
Clare WrightAgency client of lead agent; award-winning non-fiction — reflects the broader agency's prestige reach, not necessarily Tayleur's list.
JC
Jane CaroAgency client of lead agent; prominent Australian author and commentator.
KC
Katherine ColletteAgency client of lead agent; commercial fiction — useful market-positioning signal for the agency's fiction taste.
06

Taste fingerprint

the threads that run through Karen's taste
Australian voicescommercial fictionmiddle gradeYApicture bookschildren's literatureemerging authorsaward-adjacentcharacter-drivenquality commercial
07

How to query Karen

6 ways in Through the agency's online submissions page
1

Confirm the submissions page shows an open window before sending anything — Tayleur was closed as of May 2026 and there is no known reopening date.

2

Follow the agency's submission guidelines precisely; Jacinta di Mase Management is a boutique operation where sloppiness with guidelines is likely to count against a project quickly.

3

Because Tayleur's individual wishlist is not separately published, study the agency's overall ethos — 'quality books that engage, entertain, and inspire' — and make that case explicitly in your query letter.

4

For picture books, clarify your illustration situation upfront; noting whether you are an author-illustrator or seeking a separate illustrator will prevent a mismatch.

5

Australian setting, voice, or cultural context is likely a positive differentiator given the agency's clear investment in Australian stories and creators.

6

Keep your query concise and commercially framed — this is a commercial fiction and children's agency, not a literary-prize-only house; lead with story and audience.

Open the submission form
08

Frequently asked

what writers ask about Karen
Is Karen Tayleur open to queries right now?
No — as of 31 May 2026, she is closed to new submissions. Always check the agency's live submissions page before querying, as the status can change without a public announcement.
Which agency does Karen Tayleur work for?
She is an agent at Jacinta di Mase Management, a boutique literary agency based in Melbourne, Australia, founded in 2004.
What genres does Karen Tayleur represent?
Her listed categories are fiction, children's books, and picture books. Non-fiction is not listed among her categories and appears to sit primarily with the agency's lead agent.
Does Karen Tayleur represent picture books from authors who are not also illustrators?
Picture books are listed as a category, but the agency's profile does not clarify whether she accepts author-only picture book manuscripts. Writers without an illustration component should flag this clearly in their query and be prepared to confirm current appetite directly.
Does Karen Tayleur represent writers outside Australia?
The agency focuses heavily on Australian creators, and there is no public indication that Tayleur actively solicits international writers. Australian settings and voices appear to be a strong asset when pitching.
What does Karen Tayleur NOT want?
Based on her listed categories, she is not the right contact for non-fiction, academic work, or genres outside fiction and children's publishing. She is also not accepting unsolicited queries while submissions are closed.
How do I submit to Karen Tayleur?
Submissions go through the agency's online submissions process. Check the live submissions page for the current open/closed status and follow the stated guidelines carefully before sending anything.