Glass Elevator

Lindsay Leggett is a The Rights Factory agent who gravitates toward dark, voice-driven speculative fiction and gritty romance, with a particular eye for LGBTQ+ narratives, cyberpunk, YA horror, and stories that blur genre lines.

Synthesized from 1 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

Lindsay Leggett's stated wish list skews heavily speculative — cyberpunk, dark YA horror, witches, sci-fi-tinged romance — making them a strong target for writers who blend genre rather than stay in a single lane.

02

Romance is a clear priority, but Leggett signals a preference for grit and emotional weight over light or comedic fare; pure fluffy contemporaries are likely a harder sell.

03

The combination of graphic novels, LGBTQ+ fiction, and #OwnVoices stories on the list suggests Leggett values representation and visual/structural experimentation alongside strong voice.

04

Leggett calls out very specific cultural touchstones — The Craft, Black Mirror, Avatar: The Last Airbender — giving querying writers unusually concrete comp anchors to work with.

05

Query status could not be confirmed from current sources; writers must verify the live submission form before sending anything.

02

Lately

most recent public notes

Leggett has publicly named The Craft as a direct tonal benchmark for the kind of witch story they want — contemporary, grounded, with an edge — distinguishing it from the broader cozy-witch wave currently saturating the market.

Invalid Date ·
03

What Lindsay is looking for

organized from the wishlist, interviews, and listings
Gritty RomanceActively seeking

Leggett wants romance with emotional weight and complex, believable characters — not saccharine or comedic in tone. Particularly excited by romance that incorporates fantasy or science-fiction elements, suggesting genre-blended pitches will land better than straight contemporaries.

CompsDo Androids Dream of Electric Sheep – Philip K. Dick (tone/world-building influence)
Dark YA Horror / Psychological ThrillerActively seeking

Leggett actively wants YA that leans into psychological dread rather than comedy or camp. Stories that merge horror atmosphere with thriller pacing are a top priority. Witch narratives with a contemporary, grounded feel — in the spirit of The Craft — are explicitly named as a wish.

CompsThe Craft (film touchstone named by agent)
Cyberpunk / Science FictionActively seeking

Modern, near-future cyberpunk is a strong interest — Leggett points to Black Mirror as a tonal north star, indicating a preference for socially conscious, unsettling speculative work over hard-tech adventure. Classic SF touchstones like Philip K. Dick and Ray Bradbury also signal a taste for idea-driven, literary sci-fi.

CompsDo Androids Dream of Electric Sheep – Philip K. DickFahrenheit 451 – Ray BradburyBlack Mirror (TV touchstone named by agent)
LGBTQ+ FictionActively seeking

LGBTQ+ narratives and #OwnVoices stories appear throughout Leggett's list as a consistent through-line rather than a niche add-on. This applies across age categories and genres, not limited to any single format.

Graphic NovelsOpen to

Graphic novels are listed as an active category. Given Leggett's broader genre interests, speculative or horror-inflected graphic novels are likely the strongest fit, though the wishlist does not restrict the category further.

CompsAvatar: The Last Airbender (named touchstone for world-building and character)
Middle GradeOpen to

MG appears in Leggett's favorite sub-genres alongside the nostalgia reference to The Saddle Club, suggesting an affinity for adventure-forward, character-driven MG. Horse-centric stories — reflecting Leggett's own equestrian background — are specifically welcomed.

CompsThe Saddle Club (named touchstone)
Thrillers / MysteryOpen to

Thrillers and YA thriller/mystery sit on the list, particularly in combination with darker or speculative elements. Leggett favors strong narrative voice and tight structure in this space.

04

Not the right fit

save yourself the rejection
Comedy-first or lighthearted horror (Leggett explicitly prefers scary over comedic in the horror space)
Picture books (not listed among accepted categories)
Narrative non-fiction (no mention in the wishlist or category list)
Cozy or sweet romance without any genre or gritty element
Standard fantasy or high fantasy without a speculative/sci-fi or horror angle (not flagged as a priority)
05

On Lindsay's list

authors and titles represented
PD
Philip K. DickDo Androids Dream of Electric Sheep?Named as a personal favorite and taste signal; not a Leggett sale.
RB
Ray BradburyFahrenheit 451Named as a personal favorite and taste signal; not a Leggett sale.
MA
Margaret Atwood(various)Named as a blanket favorite author and taste signal; not a Leggett sale.
06

Taste fingerprint

the threads that run through Lindsay's taste
dark horrorcyberpunkgritty romanceLGBTQ+#OwnVoicespsychological thrillerwitchesspeculative YAgraphic novelsstrong voice
07

How to query Lindsay

7 ways in By email
1

Address the query directly to Lindsay Leggett at their publicly listed agency email address.

2

Lead with a comp that mirrors one of Leggett's named touchstones — The Craft, Black Mirror, Avatar: The Last Airbender, or The Guild — if your book genuinely echoes those tones; forced comps will backfire.

3

Voice is a stated priority: the query letter itself should demonstrate the narrative voice of your manuscript, not just summarize plot.

4

If your work blends genres — romance + sci-fi, YA horror + psychological thriller, cyberpunk + LGBTQ+ — say so up front; genre hybridity is a feature for Leggett, not a liability.

5

Horror pitches should emphasize dread, psychological tension, or genuine fear rather than humor or camp, which Leggett has explicitly said is not their preference.

6

Diverse and #OwnVoices stories are actively sought; if your book carries that perspective, name it clearly in the query.

7

Before submitting, confirm the current open/closed status directly on The Rights Factory's website — cached data available for this profile could not confirm whether Leggett is actively accepting queries.

Search for their submission page
08

Frequently asked

what writers ask about Lindsay
Is Lindsay Leggett open to queries right now?
That could not be confirmed from available sources. The Rights Factory's website is the authoritative source — check the live submission page or Leggett's agency profile directly before querying.
What agency does Lindsay Leggett work for?
Lindsay Leggett is an agent at The Rights Factory.
What does Lindsay Leggett represent?
Leggett focuses on fiction across several categories: gritty and genre-blended romance, dark YA horror with psychological thriller elements, cyberpunk and speculative science fiction, graphic novels, LGBTQ+ narratives, middle grade, thrillers, and mystery. Diverse and #OwnVoices stories are a cross-category priority.
What does Lindsay Leggett NOT want?
Leggett has signaled no interest in comedic or campy horror (preferring genuinely scary), picture books, non-fiction, or sweet/cozy romance without a genre or gritty element. Standard high fantasy without a sci-fi or horror angle is also not flagged as a priority.
Does Lindsay Leggett accept graphic novels?
Yes — graphic novels are listed as an active category. Given Leggett's broader taste, speculative or darker-toned graphic novels are likely the strongest fit.
How do you query Lindsay Leggett?
Leggett accepts queries by email. The publicly listed address is at The Rights Factory's domain. Always verify the current guidelines on the agency's website before submitting, as requirements can change.
Does Lindsay Leggett want #OwnVoices or diverse books?
Yes, explicitly. Diverse stories and #OwnVoices narratives appear throughout the wish list as an active, cross-genre priority rather than an afterthought.
What kind of romance does Lindsay Leggett want?
Gritty romance with compelling, complex characters — and especially romance that incorporates fantasy or science-fiction elements. Leggett is not drawn to light, comedic, or cozy romance without some darker or speculative edge.
What touchstone titles has Lindsay Leggett named as comps?
Leggett has named The Craft, Black Mirror, Avatar: The Last Airbender, The Guild, The Saddle Club, and the works of Philip K. Dick, Ray Bradbury, and Margaret Atwood as personal touchstones. These give writers unusually specific tonal anchors for crafting comp lines.
Does Lindsay Leggett represent middle grade?
Yes. MG appears among Leggett's favorite sub-genres, and The Saddle Club is a named touchstone — suggesting character-driven, adventure-forward MG resonates. Books about horses are specifically welcomed, likely reflecting Leggett's own equestrian background.