Glass Elevator

Lori Steel is the founder of SteelWorks Literary — a boutique, DC-area agency launched in 2024 that hunts for voice-driven, genre-bending children's and YA projects from authors, illustrators, and graphic novelists who challenge conventions and reflect the full breadth of human experience.

Synthesized from 5 independent signals · last reviewed June 2026
01

In brief

the 30-second read
01

SteelWorks Literary is a young agency (founded 2024), which means Lori Steel is actively building a client list — but submissions are currently closed and typically flow through conferences, referrals, and special opportunities rather than a perpetually open inbox.

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The client roster and associated titles skew heavily toward picture books and illustrated work, with strong representation of author-illustrators; writers querying purely text-based projects should note that illustrated and graphic forms appear to be a genuine core competency, not a side interest.

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Steel's wishlist is unusually broad in stated categories, but the emphasis on voice, structural experimentation, magical realism, fabulism, and socioeconomic diversity across all of them suggests a unifying aesthetic: literary ambition packaged accessibly for young readers.

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The agency's explicit preference for conference, referral, and curated-opportunity submissions — rather than an always-open slush pile — means relationship-building and staying alert to announced submission windows will matter more here than cold querying.

05

Several apparent client-roster entries (e.g., academic and adult titles predating 2024) predate the agency's founding and are best read as signals of Steel's wide-ranging literary taste rather than evidence of active representation in those categories.

02

Lately

most recent public notes

Steel's submission page makes clear that unsolicited queries are the exception rather than the rule — most new projects come in through conference relationships, referrals, or targeted submission calls. Writers are directed to monitor the agency's website and social presence for any windows when the form reopens.

November 2025 · 7mo ago
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What Lori is looking for

organized from the wishlist, interviews, and listings
Young Adult / New Adult / CrossoverActively seeking

Steel's most expansive category. Priority goes to high-concept, voice-forward YA that disrupts familiar formulas — think contemporary stories tuned into current cultural moments, historical fiction that shines fresh light on underrepresented perspectives, grounded fantasy and dystopia, magical realism, and fabulism rooted in folklore. Romantasy and light-hearted romance are welcome; Steel's touchstone is the warmth and wit of Emily Henry-style emotional storytelling. New adult projects that straddle the YA market (along the lines of Alex Award-recognized titles) are of particular interest. Genre hybrids, literary-commercial crossover, found-family dynamics, and socioeconomic diversity are recurring priorities across all YA submissions.

Middle GradeActively seeking

Steel wants MG that earns its young readers' trust — contemporary coming-of-age, propulsive adventure, accessible historical fiction with a particular lean toward non-Western settings and perspectives, and fantasy with inventive world-building and genuinely kid-friendly themes. A specific gap Steel is looking to fill: younger MG that bridges the jump from early chapter books, with illustrative potential (spot art, heavily illustrated novels) welcome. Folkloric and magical realist undercurrents are as welcome in MG as in YA.

Graphic NovelsActively seeking

Steel represents graphic novels across chapter book, MG, and YA age ranges, for both fiction and nonfiction. The non-negotiable: author-illustrators who have a genuine grounding in sequential art and comic-making. Unique visual voices, perspectives, and color palettes are a plus. Note: scripts submitted without accompanying art are not being considered.

Picture Books (Author-Illustrators only)Actively seeking

Steel is specifically seeking picture books from author-illustrators — not from writers alone. The ideal project pairs economical, precise text with art that does real narrative work, plays with structure, and invites reader participation. Quirky, subversive, and humorous storytelling is welcome; so is whimsy that serves a point. STEAM-focused nonfiction picture books with clever conceits are of interest. Rhyming picture books in the tradition of Seuss or Silverstein are not a fit.

Illustrators (standalone representation)Open to

Steel also represents illustrators independently of text projects. The aesthetic bar: a distinctive, original visual style that marries classic sensibilities with a contemporary sensibility, paired with strong narrative instincts — the ability to convey character emotion and story arc through imagery alone. Commercial viability in both school/library and trade channels, with international market appeal, matters to Steel in evaluating illustrator portfolios.

Nonfiction (Children's / YA)Open to

Steel considers nonfiction that plugs directly into conversations already happening among teen and middle-grade readers. Crucially, the writer must bring a credible platform or verifiable expertise in the subject — a strong editorial vision alone is not sufficient. STEAM-focused nonfiction for younger readers and graphic nonfiction also fall within scope.

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Not the right fit

save yourself the rejection
YA horror (MG horror is acceptable)
Hard science fiction and space operas
Didactic, lesson-first, or overtly sentimental storytelling
Board books, early readers, and standard chapter books
Vampire, werewolf, and zombie narratives
Rhyming picture books in the tradition of Seuss or Silverstein
Graphic novel scripts submitted without art
Picture books by writers who are not also the illustrator
Adult fiction and nonfiction (outside crossover/select titles)
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On Lori's list

authors and titles represented
LB
Lynn BeckerJune Moon2024 picture book (illustrated by Nate Carvalho); whimsical, imaginative bedtime story — consistent with Steel's stated interest in playful, structurally inventive picture books. Note: Lynn Becker also has an earlier architecture title (2004) predating the agency; treat that as taste context only.
KL
K.E. LewisBecause of DadsForthcoming 2026 picture book; joyful, inclusive celebration of father figures — aligns with Steel's emphasis on diverse, warm-hearted illustrated storytelling.
SJ
Shelley JacksonRiddanceBeliever Book Award finalist; praised by The New Yorker. Adult literary fiction with fabulist, surrealist elements — strong signal of Steel's literary taste range even if this title predates the agency.
SJ
Shelley JacksonThe Melancholy of AnatomyDebut story collection; compared to Donald Barthelme and Aimee Bender — confirms fabulism and surrealism as deep aesthetic anchors. Predates the agency; treat as taste signal.
JH
Jilanne HoffmanListed current client; specific titles not confirmed in deal record.
MC
Mary CroninListed client; known titles are academic/nonfiction and predate the agency — treat as taste context only, not active representation in those genres.
AD
Anna DruryListed client; known titles are adult fiction predating the agency — treat as historical context only.
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Taste fingerprint

the threads that run through Lori's taste
magical realismfabulismfolkloregenre-bendingvoice-drivenfound familysocioeconomic diversityauthor-illustratorsgraphic novelsliterary-commercial crossover
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How to query Lori

8 ways in Through an online submission form
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The form is currently closed (verified 2025-11-30) — do not attempt to submit until a new window is announced. Check the agency's website and social channels regularly for updates.

2

Steel's preferred pipeline is conferences, referrals, and curated submission opportunities. If you have a chance to meet Steel at a children's/YA publishing conference, that connection will carry more weight than a cold query through the form.

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When the form does open, lead with voice and structural originality — Steel's stated priorities across every category center on how a story is told, not just what it's about. A query that demonstrates your narrative voice from the first line will land better than a plot-forward pitch.

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Be specific about your genre blend. Steel actively seeks genre-bending projects, but that means you need to name the blend precisely (e.g., 'contemporary MG with magical realist elements rooted in Appalachian folklore') rather than describing the book as 'hard to categorize.'

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For picture books, confirm upfront that you are the illustrator as well as the author — Steel is not currently seeking text-only picture book writers.

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For graphic novel submissions, include sample art or a portfolio link. Steel explicitly does not consider scripts without accompanying visuals.

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Socioeconomic diversity, regional voices, non-Western historical settings, and found-family dynamics are recurring themes across Steel's wishlist — if your project touches any of these authentically, name them in your query letter.

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Avoid framing your project as a teaching tool or leading with its 'message' — Steel's wishlist explicitly flags didactic and lesson-driven books as a non-fit. Let theme emerge from character and story.

Open the submission form
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Frequently asked

what writers ask about Lori
Is Lori Steel open to queries right now?
No. The submission form was directly observed as closed on 2025-11-30. Steel's preferred intake is through conferences, referrals, and announced submission opportunities rather than a standing open queue. Check the agency's website and social channels before submitting.
What agency does Lori Steel work at?
Lori Steel founded and runs SteelWorks Literary, a boutique agency based in the Washington DC area (Garrett Park, MD), established in 2024.
Does Lori Steel represent adult fiction?
Generally no — the agency's core focus is children's and YA literature. Steel does note an interest in 'select titles for the crossover and adult markets,' but this appears to be narrow and case-by-case, not a primary submission category.
Can I query Lori Steel with a picture book if I'm a writer but not an illustrator?
No. Steel is specifically seeking picture books from author-illustrators only — creators who both write and illustrate. If you are a writer pitching a picture book manuscript without your own art, Steel is not the right fit.
Does Lori Steel represent horror?
Only at the middle grade level. Steel explicitly does not want YA horror. MG horror is within scope.
What does Lori Steel NOT want, even in categories they represent?
Across all categories, Steel passes on didactic or heavy-handed 'message' books, overly sentimental storytelling, rhyming picture books in the Seuss/Silverstein tradition, vampire/werewolf/zombie narratives, hard sci-fi and space operas, and graphic novel scripts submitted without art. Board books, early readers, and standard chapter books are also outside the scope.
Is Lori Steel interested in romantasy?
Yes — romantasy and light-hearted romance are listed as active interests in the YA/New Adult space. Steel's reference point for tone is the warmth and humor associated with Emily Henry's style of emotional storytelling.
Does Lori Steel represent illustrators who aren't also authors?
Yes. Steel explicitly seeks standalone illustrators with a distinctive visual aesthetic, strong narrative storytelling ability, and appeal across school/library and trade markets, including international reach.
How new is SteelWorks Literary, and does that affect querying strategy?
The agency was founded in 2024, which means Steel is actively building a list. That can be an advantage for writers — newer agents often have more capacity for debut authors and take more risks on fresh voices. However, the closed-form and conference-first intake model means you'll need to be strategic about when and how you reach out.
What themes run through everything Lori Steel represents?
Across every category, Steel's throughline is authentic, distinctive voice; structural or genre experimentation; and stories that engage meaningfully with real-world diversity — including socioeconomic backgrounds, regional identities, non-Western histories, and LGBTQIA+ experiences. A project that hits multiple of these notes in service of a compelling story is more likely to stand out.