Natasha Banke is a rights-focused literary agent at a boutique international agency bridging European and global markets, handling both book and film rights across literary fiction, commercial fiction, non-fiction, YA, and children's titles.
In brief
Banke operates within an agency whose primary business is international rights — book and film — with offices in Sweden and Cyprus, giving their clients meaningful access to European and global publishing markets.
The agency's stated scope is broad (literary to commercial fiction, non-fiction, YA, children's), but the raw submission record for Natasha Banke individually is sparse, so writers should treat the agency's general positioning as the best available signal for what Banke handles.
Submission status is listed as currently not accepting submissions in the most recent available data — writers must verify live status directly before querying.
The agency's dual focus on book rights AND film rights is a differentiating feature; authors whose work has strong adaptation potential may find this infrastructure especially valuable.
No confirmed individual deal record for Natasha Banke is available in public sources, which limits insight into their specific taste and publisher relationships — the agency's international orientation is the clearest signal available.
Lately
The agency's public-facing submission page states that they are not currently accepting new submissions, with no reopening date specified. Writers should monitor the agency website for updates.
What Natasha is looking for
High-quality literary works with strong narrative voice and international appeal are central to the agency's identity. Banke's positioning within this agency suggests a genuine interest in ambitious, well-crafted fiction that can travel across markets.
Mass-market titles with broad appeal sit alongside literary work on the agency list. Projects with clear genre hooks and adaptation potential align well with the agency's dual book-and-film rights focus.
Non-fiction is part of the agency's list, though it is not foregrounded as a primary focus. Specific categories or preferred subject areas for Banke individually are not publicly detailed.
YA is welcomed as part of the agency's broader remit. No specific sub-genre preferences for Banke individually are on record.
Children's titles appear on the agency list. As with YA, no granular sub-category preferences for Banke specifically are available from public sources.
Not the right fit
On Natasha's list
Taste fingerprint
How to query Natasha
The agency's general submission email is on record, but their page explicitly states they are not currently accepting submissions — do not query until live status changes.
Before querying, check the agency's own website directly for any updated submission window or reopened inbox.
The agency handles both book and film rights internationally; if your project has strong screen adaptation potential, it is worth noting this in your query letter as it aligns with the agency's core model.
Given the agency's bases in Sweden and Cyprus, works with European settings, themes, or market crossover appeal may resonate particularly well with Natasha Banke.
Because no granular wishlist detail is publicly available for Banke specifically, research recent agency news or interviews before querying to identify any newly stated preferences.
Address your query specifically to Natasha Banke by name; the agency has multiple agents and a misdirected or generic submission is less likely to receive attention.