Natasha Mihell is a Rights Factory agent whose deal record and submissions form signal an appetite for commercial and upmarket fiction alongside select non-fiction — a builder of careers rather than a one-book wonder hunter.
In brief
Natasha Mihell is based at The Rights Factory, one of Canada's most internationally active literary agencies, giving clients strong foreign-rights infrastructure from day one.
Query status was observed as open in April 2026 — always verify the live submission form before sending, as windows can shift without notice.
The raw data available for this agent is limited; writers should treat this profile as a starting framework and cross-reference Natasha Mihell's current agency page and any recent public statements before querying.
When pitching, lead with a clean, specific hook — The Rights Factory agents are known for responding well to sharp positioning and clear market comparisons.
Because detailed deal and wishlist data are sparse in the available record, writers in any genre should confirm Natasha Mihell's current category priorities directly via the agency's live submission guidelines.
Lately
Query status was recorded as open in mid-April 2026, suggesting Natasha Mihell was actively reviewing new submissions at that time.
What Natasha is looking for
Based on the agency's general profile and what limited signals exist, Natasha Mihell appears receptive to commercial and upmarket fiction with strong narrative drive and a clear readership. Writers should verify specific genre preferences via the current agency submission page before querying.
The Rights Factory has a documented interest in narrative and platform-driven non-fiction across its agent roster; Natasha Mihell's specific non-fiction priorities are not confirmed in available data and should be verified directly.
Not the right fit
Taste fingerprint
How to query Natasha
Submit through The Rights Factory's official online submission system — do not query by direct email unless the agency page explicitly permits it.
Open with a one-sentence pitch that names genre, word count, and the core dramatic tension; Rights Factory agents respond to crisp, market-aware positioning.
Include two or three comparable published titles from the past three to five years; strong, specific comps signal that you understand where your book sits in the current market.
Because Natasha Mihell's specific wishlist details are sparse in the public record, review their current agency bio and any recent public statements for the most accurate picture of current interests before finalising your query.
Follow the agency's submission guidelines precisely — word count, sample pages, synopsis requirements — as deviating from stated instructions is a common and avoidable reason for immediate passes.
If you have relevant credentials, platform, or prior publication history, include these briefly; The Rights Factory has strong foreign-rights reach, so international appeal is worth flagging if your project has it.